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Hippo Campus © Brit O'Brien
Columns, Music, Today's SongJune 25, 2021<January 30, 2024

Today’s Song: Hippo Campus’ “Bad Dream Baby” Is a Vibrant Vision

by Nasim Elyasi
The Dead Deads © 2021
Columns, Features, Interviews, MusicJune 25, 2021<June 25, 2021

Interview: The Dead Deads’ ‘Daisy Dead’ Resurrects the History of Her Jaw-Dropping Band Ahead of ‘Tell Your Girls It’s Alright’

by Ethan James
65daysofstatic Wreckage Systems
Music, ReviewsJune 24, 2021<June 24, 2021

Review: Sheffield’s 65daysofstatic Use Robots to Create Boundless Music in ‘Wreckage Systems’

by Adam Davidson
daysormay © Eli Garlick
Columns, Today's SongJune 24, 2021<June 24, 2021

Today’s Song: daysormay’s “Ego” Explores the Human Mind in a Fascinating, Catchy Way

by Dimitra Gurduiala
Gracie and Rachel
Music, PremieresJune 24, 2021<April 25, 2023

EP Premiere: Gracie and Rachel’s Hushed & Hauntingly Intimate ‘a whisper becomes a shout’ EP

by Mitch Mosk
JORDI - Maroon 5 7
Music, Our Take, ReviewsJune 24, 2021<June 23, 2021

Our Take: Maroon 5 Return with a Mostly Stellar Seventh Record on ‘JORDI’

by Josh Weiner
The Roots © Dominic Digiorgio
Features, Music, ReviewsJune 24, 2021<October 5, 2021

Back for More: The Roots’ ‘Do You Want More?!!!??!’ Will Last Forever

by Oliver Crook
Tadhg Daly
Music, ReviewsJune 23, 2021<June 23, 2021

Trauma & Passion Radiate in Tadhg Daly’s Intimate Outpouring “Your Heart’s Not In It”

by Mitch Mosk
Pixie's Parasol - Smith & Thell
Features, Music, Reviews, Track-by-TrackJune 23, 2021<June 23, 2021

“Lost in space”: Smith & Thell Stun, Stir, & Soar in Sophomore LP ‘Pixie’s Parasol’

by Mitch Mosk
Features, Interviews, Music, ReviewsJune 23, 2021<February 7, 2022

Borrowed Time Machine: Fousheé on Time Travel, Genre Bending, & Debut Project ‘time machine’

by Mariel Fechik
Declan Welsh & The Decadent West © Sedona May
Music, ReviewsJune 23, 2021<June 23, 2021

Declan Welsh & The Decadent West’s Raw, Wry, & Roaring Anthem “Parisian Friends”

by Mitch Mosk
Tim Atlas © Maya Fuhr
Music, ReviewsJune 23, 2021<June 23, 2021

Review: Tim Atlas’ Love-Soaked “Courtside” Is an Enchanting Sonic Daydream

by Mitch Mosk
Deafheaven © George Clarke
Columns, Music, Today's SongJune 23, 2021<June 21, 2021

Today’s Song: Deafheaven Turn a New Leaf with ‘Great Mass of Color’

by James Crowley
Porlolo © Irvin Coffee
Features, Music, Reviews, Track-by-TrackJune 22, 2021<June 22, 2021

“Melodic, Authentic, Relatable”: Denver’s Porlolo Shines on Radiant ‘No Praise, No Blame’ EP

by Mitch Mosk
MISSIO © 2021
Features, Interviews, MusicJune 22, 2021<July 15, 2021

Interview: MISSIO’s ‘Skeletons: Part 3’ Takes You From a Whisper, to a Cackle, to a Scream

by Ilana Kalish
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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