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Blue - Joni Mitchell
Columns, Essays, Music, Nostalgia TracksJune 22, 2021<June 22, 2021

Nostalgia Tracks: Celebrating 50 Years of Joni Mitchell’s ‘Blue’

by Nasim Elyasi
DEWAYNE © Jordan Knight
Debut, Features, Music, Reviews, Track-by-TrackJune 22, 2021<June 22, 2021

“Liberation, Raw, Urgent”: DE’WAYNE Goes Track-by-Track Through Unapologetic, Explosive Debut ‘STAINS’

by Mitch Mosk
Sons Of The East © Pat O’Hara
Music, PremieresJune 22, 2021<June 22, 2021

Premiere: Sydney’s Sons of the East Soar in “Fool Me,” a Sweet & Jangling Singalong

by Mitch Mosk
Giant Sky © Hot Vox
Debut, Features, Music, Premieres, ReviewsJune 22, 2021<June 22, 2021

“Anger, Love, Solidarity”: Giant Sky Fill the Airwaves on High-Octane Debut Album ‘Not Today’

by Mitch Mosk
Play With the Changes - Rochelle Jordan
Features, Interviews, MusicJune 22, 2021<June 21, 2021

Interview with Rochelle Jordan: A Toronto R&B Queen Re-Emerges in Stellar Style on ‘Play with the Changes’

by Josh Weiner
Max Leo by @ch32
Columns, Music, Today's SongJune 22, 2021<June 21, 2021

Today’s Song: Max Leo Basks in Honest Hopefulness on “Could Be Something”

by Lowndes Commander
Aly & AJ © Amanda Chachain
Features, Interviews, MusicJune 21, 2021<October 5, 2021

Getting Out into the Sun Again: A Conversation with Aly & AJ

by Nicole Almeida
Dolfiin Alexander © Kadri Koop
Debut, Music, PremieresJune 21, 2021<June 21, 2021

Premiere: Sink into Serenity on Dolfiin Alexander’s Debut Single “High Noon”

by Mitch Mosk
BLKBOK © Spencer Heyfron
Features, Interviews, MusicJune 21, 2021<June 23, 2021

“You see me one way, you hear me another”: BLKBOK Debuts Neo-Classical Masterpiece ‘Black Book’

by Coco Rich
KTJ & Carly
Interviews, MusicJune 21, 2021<June 21, 2021

Interview: KTJ & CARLY Voice a Familiar Fear with New Single “Hidden”

by Chloe Robinson
L'Rain © Jason Al-Taan
Columns, Music, Today's SongJune 21, 2021<June 21, 2021

Today’s Song: L’Rain Enters the Eye of the Hurricane with “Blame Me”

by Nasim Elyasi
Griff © Riccardo Castano
Debut, Features, Music, ReviewsJune 18, 2021<August 20, 2021

Griff Is Marking Her Triumphant Rise with Debut Mixtape ‘One Foot in Front of the Other’

by Bethan Harper
Chris Thile © Josh Goleman
Features, Interviews, Music, ReviewsJune 18, 2021<June 18, 2021

Won’t You Come and Sing for Me: Chris Thile on Spirituality, Communion, & Solo Record ‘Laysongs’

by Mariel Fechik
Wild Story © Brynne Zaniboni
Music, Music Videos, PremieresJune 18, 2021<June 18, 2021

Premiere: Wild Story’s “Different” Is an Empowering Self-Love Anthem for the Underdogs

by Mitch Mosk
Atwood Magazine's Weekly Roundup | Black Music Month 2021
Columns, Features, Music, Weekly RoundupJune 18, 2021<October 5, 2021

Atwood Magazine’s Weekly Roundup: Black Music Month 2021

by Atwood Magazine Staff
Posts pagination
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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