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Jeff Hortillosa © Ishmael Quintanilla
Music, PremieresMay 25, 2021<May 25, 2021

Premiere: Austin’s Jeff Hortillosa Tackles Explores Isolation & Mental Health in “Alone”

by Mitch Mosk
Course © Chloe Hamilton
Features, Music, Reviews, Track-by-TrackMay 25, 2021<August 30, 2021

“Dreamy, Joyful, Synthy”: Chicago’s Course Rise with Fresh, Spirited Debut Album ‘A Late Hour’

by Mitch Mosk
Niall McNamee © Lee Malone
Columns, Music, Today's SongMay 25, 2021<May 25, 2021

Today’s Song: Niall McNamee Warms Even the Coldest Of Hearts in “Step by Step”

by Joe Beer
Lord Huron © Anthony Wilson 2021 10
Features, Interviews, MusicMay 25, 2021<February 7, 2022

Interview: Lord Huron Dive into Time’s Blur on Their “Indefinably Nostalgic” 4th Album ‘Long Lost’

by Mitch Mosk
Atwood Magazine Celebrates AAPI Heritage Month IV
Asian American and Pacific Islander Heritage Month, Features, MusicMay 24, 2021<May 27, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. IV

by Atwood Magazine Staff
Paradigmes - La Femme
Features, Music, Reviews, Track-by-TrackMay 24, 2021<May 24, 2021

Eclectic, Messy, & Original: La Femme Go Track-by-Track Through Third LP ‘Paradigmes’

by Mitch Mosk
ViVii © Rikkard Häggbom
Features, Music, Reviews, Track-by-TrackMay 24, 2021<May 24, 2021

“Feelings, feelings, feelings!”: ViVii’s Sophomore LP ‘Mondays’ Soars with Dazzling Dream Pop

by Mitch Mosk
Billie Eilish © Kelia Anne MacCluskey
Columns, Music, Today's SongMay 24, 2021<May 24, 2021

Today’s Song: Billie Eilish Speaks Out on “Your Power”

by Kosiso Ugwueze
Atwood Magazine's Weekly Roundup | May 21, 2021
Columns, Features, Music, Weekly RoundupMay 21, 2021<May 25, 2021

Atwood Magazine’s Weekly Roundup: May 21, 2021

by Atwood Magazine Staff
Sometimes Depressed​.​.​.​But Always Antifascist - BSÍ
MusicMay 21, 2021<May 21, 2021

“Brussels Sprouts International”: Iceland’s BSÍ Come to Life on Debut ‘Sometimes Depressed​.​.​.​But Always Antifascist’

by Mitch Mosk
Columns, Music, Today's SongMay 21, 2021<May 21, 2021

Today’s Song: A Glamorous Display of Love & Lust on Iverson’s “How Does It Make U Feel”

by Adrian Vargas
Tyne-James Organ
Debut, Features, Music, Reviews, Track-by-TrackMay 21, 2021<May 21, 2021

“Emotional, Real, & Raw”: Tyne-James Organ Dives into Debut Album ‘Necessary Evil’

by Mitch Mosk
Mannequin Pussy © Phobymo
Features, Interviews, MusicMay 21, 2021<May 21, 2021

“We Want to Be a Band for the Future”: A Conversation with Mannequin Pussy’s Marisa Dabice

by Sophie Prettyman-Beauchamp
slenderbodies
Features, Interviews, MusicMay 21, 2021<May 21, 2021

Interview: On ‘are we?’, slenderbodies Push Their Boundaries to Explore Who (and What) They Are

by Jason Brillon
Livingmore © Joseph Cultice
Music, Reviews, Track-by-TrackMay 21, 2021<May 21, 2021

Track-by-Track: Dance Your Problems Away with Livingmore’s Sophomore LP ‘Take Me’

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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