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DEVORA © 2021
Interviews, MusicJuly 1, 2021<July 1, 2021

Interview: Dive into the Unruly Mind of DEVORA Through Debut EP ‘Outlaw’

by Chloe Robinson
latewaves
Music, ReviewsJuly 1, 2021<July 1, 2021

New Jersey’s latewaves Debut with Raucous Punk & ‘Hell to Pay’

by James Crowley
The BRKN © 2021
Features, Music, Reviews, Track-by-TrackJune 30, 2021<June 30, 2021

“Energy, Nostalgia, & Pop”: Denver’s The BRKN Rise with Sparking & Spirited ‘Come Outside’ EP

by Mitch Mosk
Coma Culture © Kelly Victoria
Debut, Features, Music, Reviews, Track-by-TrackJune 30, 2021<June 30, 2021

“Blue Paint Stroke”: Coma Culture Dive into the Multi-Colored Depth of Debut Album ‘Camouflage’

by Mitch Mosk
Modern Original © Cortney Armitage
Columns, Debut, Music, Today's SongJune 30, 2021<June 30, 2021

Modern Original (ex-The Mowgli’s) “Turn It Around” with a Stunner Psych Rock Debut

by Mitch Mosk
Mabe Fratti © Andrea Villalón
Features, Interviews, MusicJune 30, 2021<June 29, 2021

Interview: Mabe Fratti’s New Experimental Indie Album Is a Profound Search for Human Connection

by Diego Morales
Kevin Devine © Shervin Lainez
Music, ReviewsJune 30, 2021<June 29, 2021

EP Review: Kevin Devine Expands Himself on ‘No One’s Waiting Up for Me Tonight’

by James Crowley
upsidedownhead & Clea © Alex Bennison
Music, PremieresJune 29, 2021<June 29, 2021

Premiere: upsidedownhead Dazzles & Stirs with Minimalist Single “say something” ft. Clea

by Mitch Mosk
Ricky Duran © Codi Castle
Interviews, MusicJune 29, 2021<June 29, 2021

Interview: The Voice Runner-Up Ricky Duran Talks New Single “Star” & Upcoming Album ‘Space & Time’

by Guest Writer
Royal & the Serpent © Conner Sorensen
Features, Music, Reviews, Track-by-TrackJune 29, 2021<June 29, 2021

Self-Love, Acceptance, & Kurt Cobain: Royal & The Serpent Dives into the Depths of ‘searching for nirvana’ EP

by Mitch Mosk
Whitney McClain
EssaysJune 29, 2021<June 29, 2021

“Ever-Growing & Rooted in Soul”: An Essay by Whitney McClain

by Guest Writer
Gang of Youths © Amy Heycock
Columns, Music, This Just In, Today's SongJune 29, 2021<June 29, 2021

This Just In: Gang of Youths Uncover Heaven in Their Latest Single “the angel of 8th ave.”

by Erica Danielle Garcia
Czarface & MF Doom
Columns, Music, Today's SongJune 28, 2021<June 28, 2021

Today’s Song: Czarface Team Up with MF DOOM in “Break in the Action”

by Adam Davidson
Features, Music, Weekly RoundupJune 25, 2021<June 25, 2021

Atwood Magazine’s Weekly Roundup: June 25, 2021

by Atwood Magazine Staff
Features, Music, ReviewsJune 25, 2021<June 25, 2021

So Many Me: Michael League on Pop Music, Human Observation, & Debut Solo Record

by Mariel Fechik
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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