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Seori © Atispaus
Interviews, MusicJune 17, 2021<June 17, 2021

Interview: Korean Singer/Songwriter Seori Dives into Stirring Depths on Heartfelt Song “긴 밤 (The Long Night)”

by Mitch Mosk
Muscle - Issy Wood
Artist to Watch, Columns, Music, Today's SongJune 17, 2021<June 17, 2021

Artist to Watch: Issy Wood Rises Triumphantly in Vulnerable Anthem “Muscle” & ‘If It’s Any Constellation’ EP

by Mitch Mosk
Gilligan Moss © Thatcher Keats
Debut, Features, Interviews, Music, Reviews, Track-by-TrackJune 17, 2021<June 17, 2021

“Verdant, Good, Chirp”: Gilligan Moss Go Track-by-Track Through Irresistible, Sun-Soaked Debut Album

by Mitch Mosk
Raine Hamilton © Megan Steen
Music, PremieresJune 17, 2021<June 17, 2021

Premiere: Raine Hamilton Shows Up & Shines in “Love Has Come for Me,” an Anthem of Radical Self-Love

by Mitch Mosk
Night Beats © Hamilton Boyce
Interviews, MusicJune 17, 2021<June 17, 2021

Interview: One-Man Band Night Beats Tests the Waters of ‘Outlaw R&B’ on Fifth LP

by Josh Weiner
Durand Jones & The Indications "Love Will Work It Out" © Weird Life
Music, ReviewsJune 16, 2021<June 16, 2021

Durand Jones & The Indications Inject Passion, Faith & Soul into Smoldering Song “Love Will Work It Out”

by Mitch Mosk
Mumble Tide © 2021
Music, ReviewsJune 16, 2021<June 16, 2021

“A Big Noisy Casserole”: Bristol’s Mumble Tide Are Unleashed in “Sucker”

by Mitch Mosk
Charles on TV © Anable Simotas
Interviews, MusicJune 16, 2021<June 16, 2021

Interview: Charles on TV Floats Wild Metaphors on New Single “Golden Alligator”

by Ethan James
Lucy Kruger © Laura Carbone
Music, Music Videos, PremieresJune 16, 2021<June 16, 2021

Premiere: In “Warm II,” Lucy Kruger & The Lost Boys Finds Magic in the Madness of Love

by Mitch Mosk
Kate Vargas
Essays, MusicJune 16, 2021<June 16, 2021

“Self-Help Is an Oxymoron”: An Essay by Kate Vargas

by Guest Writer
Ellie Dixon © Kosha Karnad
Columns, Music, Reviews, Today's SongJune 16, 2021<October 7, 2022

Review: Ellie Dixon’s “Green Grass” Is a Playful, Irresistibly Sweet Take on Existential Crisis

by Mitch Mosk
Andy Cortes
Debut, Music, ReviewsJune 15, 2021<June 15, 2021

Surrey Singer/Songwriter Andy Cortes Radiates Love in Debut Single “Vaporised”

by Mitch Mosk
Interviews, MusicJune 15, 2021<June 15, 2021

Interview: Mat Zo Reflects on a Near-Decade of Transatlantic Electronica Production

by Josh Weiner
Scott Helman © 2021
Music, ReviewsJune 15, 2021<June 15, 2021

Review: Scott Helman’s Anthemic “Old Friends” Explodes with Passion & Reckless Abandon

by Mitch Mosk
AUGUST 08 © 2021
Features, Interviews, MusicJune 15, 2021<June 15, 2021

“I’m forever open”: AUGUST 08 Dives into the Stunning Depths of His Intimate & Vulnerable ‘EMOTIONAL CUH’

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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