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Lukewarmdaily96
Debut, Music, PremieresJuly 8, 2021<July 8, 2021

Premiere: Cork’s Lukewarmdaily96 Debuts with Empathy & Vulnerability in “Peaching”

by Mitch Mosk
Alex Lleo © 2021 10
Artist to Watch, Features, Music, Our Take, Reviews, Track-by-TrackJuly 7, 2021<July 7, 2021

“Cruisy, Mellow, & Warm”: Alex Lleo Shines in Groovy & Golden ‘Morning Heights’ EP

by Mitch Mosk
Features, Interviews, Music, ReviewsJuly 7, 2021<October 5, 2021

As Above, So Below: SPELLLING on Mythical Realms and New Album ‘The Turning Wheel’

by Mariel Fechik
DELPHii © David Reiss
Columns, Music, Today's SongJuly 7, 2021<July 7, 2021

Today’s Song: DELPHii Shows How to Be the Bigger Person in a Divine Way with “Tell Everyone”

by Dimitra Gurduiala
Why Solange Matters
Features, Interviews, MusicJuly 6, 2021<July 6, 2021

Why Solange Matters: A Conversation with Big Joanie’s Stephanie Phillips

by Sophie Prettyman-Beauchamp
Bawo © 2021
Columns, Music, Today's SongJuly 6, 2021<July 6, 2021

Today’s Song: Bawo Provides Dreamy Optimisim on “Starts with a Text”

by Ryan Feyre
CHROMATOPIA - NoMBe 10
Features, Interviews, MusicJuly 2, 2021<February 7, 2022

Love Spectrums & Color Theory: An Interview with NoMBe on Sophomore LP ‘CHROMATOPIA’

by Mitch Mosk
Lena Rich © Miranda Rico
Features, Interviews, MusicJuly 2, 2021<July 6, 2021

Layers & Landscapes of Reflection and Exploration: A Conversation with Lena Rich on ‘Upside Down’

by Dalia
Bridget St. John
Features, Interviews, MusicJuly 2, 2021<July 2, 2021

Feature: The Gentle Songs of Bridget St. John

by Guest Writer
Ryan Wright © Meredithe Ettrich
MusicJuly 2, 2021<July 1, 2021

Today’s Song: Ryan Wright Says Enough Is Enough in “Happy Birthday (Go Fuck Yourself)”

by Joe Beer
Pilot - Saint Joshua
Debut, Features, Music, Reviews, Track-by-TrackJuly 2, 2021<November 8, 2021

“Sedatory, Cohesive, & Organic”: Saint Joshua Dwells in Love’s Depths on Smoldering Debut ‘Pilot’ EP

by Mitch Mosk
The Jungle Giants © 2021
Features, Interviews, MusicJuly 1, 2021<August 19, 2021

Feature: Sam Hales on The Jungle Giants’ New Sound & How to Stay Motivated in the Face of Not Leaving Your House

by Lilly Eason
Mothé © Kylie Shaffer
Artist to Watch, Columns, Music, Today's SongJuly 1, 2021<July 1, 2021

Artist to Watch: Mothé Stuns, Stirs, Soars & Inspires in “Dancing on an Empty Floor”

by Mitch Mosk
Life + Love - Macklyn
Debut, Features, Music, Reviews, Track-by-TrackJuly 1, 2021<July 1, 2021

“Soulful, Relaxing, & Refreshing”: Macklyn Explores the Depths of ‘Life + Love’ in Stirring Debut Album

by Mitch Mosk
The Flavians © The Flavians
Features, Music, Reviews, Track-by-TrackJuly 1, 2021<July 1, 2021

“Slippery Slope Music”: The Psych, Sun, & Fun of The Flavians’ Radiant Self-Titled EP

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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