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Bottler © Rick Perez
Music, PremieresSeptember 14, 2020<September 14, 2020

Premiere: Brooklyn Duo Bottler Transport Listeners to a Place of Pure Tranquility with “Soft Winds”

by Chloe Robinson
Features, Interviews, Music, ReviewsSeptember 14, 2020<September 13, 2020

Feature: Lilly Hiatt Is ‘Walking Proof’ That The Traveller’s Life Is the Fullest

by Oliver Crook
girl in red © Isak Jensen
Columns, Music, Today's SongSeptember 14, 2020<September 14, 2020

Today’s Song: girl in red’s Essential and Euphoric “rue”

by Nicole Almeida
Autumn Nicholas © 2020 1
Music, PremieresSeptember 14, 2020<September 14, 2020

Premiere: Singer/Songwriter Autumn Nicholas Elevates Equal Rights in New Single “Side by Side”

by Mitch Mosk
Fergus © Vivien Tomasello
Music, Reviews, This Just InSeptember 11, 2020<January 21, 2021

This Just In: Fergus’ Stunning Inner Reckoning “Enough for You” Is an Alt-Pop Outpouring

by Mitch Mosk
Blitzen Trapper's Eric Earley © Jason Quigley
Features, Interviews, MusicSeptember 11, 2020<October 6, 2020

Interview with Blitzen Trapper: Strumming Through the Bardo with ‘Holy Smokes Future Jokes’

by Ilana Kalish
Atwood Magazine's Weekly Roundup Sept 11 2020
Columns, Features, Music, Weekly RoundupSeptember 11, 2020<September 11, 2020

Atwood Magazine’s Weekly Roundup: September 11, 2020

by Atwood Magazine Staff
The XO
Columns, Debut, Music, Today's SongSeptember 11, 2020<September 11, 2020

Today’s Song: The XO Capture the Cold with Debut Single “November”

by Lowndes Commander
Atwood Magazine Editor's Picks 39
Columns, Editor's Picks, Features, MusicSeptember 11, 2020<September 11, 2020

Editor’s Picks 39: Timothy Nelson, TRISHES, Indiana, Kyle Dion, Tom Joshua, & The Knocks x MUNA

by Mitch Mosk
“Drive Thru” & “Take it From Me” - The Undercover Dream Lovers
Interviews, MusicSeptember 10, 2020<September 10, 2020

Interview: The Undercover Dream Lovers Enchants with Intent & Deep Grooves in “Drive Thru” / “Take It From Me”

by Mitch Mosk
The Sea The Sea © Kiki Vassilakis
Features, Interviews, Music, Reviews, Track-by-TrackSeptember 10, 2020<December 11, 2020

“Simple & True”: The Sea The Sea Stun with Enchanting, Warm & Wondrous 3rd Album ‘Stumbling Home’

by Mitch Mosk
Music, Premieres, ReviewsSeptember 10, 2020<September 10, 2020

Album Premiere: Somber & Thrilling Collide on Le Couleur’s ‘Concorde’

by Adrian Vargas
HOAX
Music, Reviews, This Just InSeptember 10, 2020<September 10, 2020

This Just In: HOAX Provide Us the Perfect Remedy with “Western Medicine”

by Kelsey Fitzgerald
Gatlin © 2020
Debut, Music, Reviews, Track-by-TrackSeptember 10, 2020<September 9, 2020

“Hurts So Good”: Gatlin Embraces Intimate & Catchy Depths on Debut EP ‘Sugarcoated’

by Mitch Mosk
penelope © Genevieve Andrews
Music, PremieresSeptember 10, 2020<September 10, 2020

Premiere: penelope’s “coming home” Is a Heartfelt Homecoming

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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