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SUAD © Riku Pihlanto
Music, Music Videos, PremieresJuly 14, 2020<July 10, 2020

Premiere: SUAD Opens “The Door” with an Enchanting Vision of Hope & Inner Strength

by Mitch Mosk
Sad Alex © Alex Stone
Columns, Music, Today's SongJuly 14, 2020<July 11, 2020

Sad Alex’s All Too Relatable Experience Portrayed in “Stockholm’s a Ghost Town”

by Kelsey Fitzgerald
Amy Shark © Nicol Biesek
Features, Interviews, MusicJuly 14, 2020<July 9, 2020

Interview: Amy Shark’s Spirited “Everybody Rise” Is a Rousing Anthem for 2020 Action

by Mitch Mosk
Features, Interviews, MusicJuly 13, 2020<April 4, 2024

Interview with Baseball Game: Bouncing Back from the Hardships of Little League

by Josh Weiner
Willows
Features, Interviews, MusicJuly 13, 2020<July 13, 2020

Language, Musical Projects, and Métis Culture: An interview with Geneviève Toupin

by Frankie Rose
Music, ReviewsJuly 13, 2020<July 11, 2020

Review: Remi Wolf Is Whimsically Heartwarming in ‘I’m Allergic to Dogs!’ EP

by Maggie McHale
The Sophomore Series 3
Music, Sophomore SeriesJuly 13, 2020<October 27, 2020

The Sophomore Series: Tame Impala’s ‘Lonerism’ & FKA twigs’ ‘MAGDALENE’

by Leo Culp
Little Kid © Will Cox
Features, Music, Reviews, Track-by-TrackJuly 10, 2020<July 10, 2020

Feature: Little Kid Dive into the Depths of Their Spellbinding ‘Transfiguration Highway’

by Mitch Mosk
L to R: Sam Backoff, Savana Santos, Sami Bearden © Delaney Royer
Columns, Music, Reviews, Today's Song, UncategorizedJuly 10, 2020<January 30, 2025

Avenue Beat’s Lowkey “F2020” Is the ‘F*** You’ Anthem of the Year

by Mitch Mosk
Mister © Gabby Baginski
Music, ReviewsJuly 10, 2020<July 10, 2020

Review: Mister & ialive Unite for Brief Thoughts on the Mundane Throughout ‘Sounds of Pets’

by Ryan Feyre
Atwood Magazine's Weekly Roundup 07102020
Columns, Features, Music, Weekly RoundupJuly 10, 2020<August 23, 2020

Atwood Magazine’s Weekly Roundup: July 10, 2020

by Atwood Magazine Staff
Music, ReviewsJuly 10, 2020<December 15, 2020

Review: The Beths Tackle the Dark Side of Living Your Dream on ‘Jump Rope Gazers’

by Oliver Crook
Interviews, MusicJuly 10, 2020<July 10, 2020

Interview: Many Beaches May Be Closed, But Iration’s New Album “Coastin'” Can Teleport You There

by Josh Weiner
karima francis © Julia Ksiazek
Columns, Music, Today's SongJuly 10, 2020<July 6, 2020

Today’s Song: Karima Francis’ “Orange Rose” Examines Mental Health & Its Toll on Relationships

by Chloe Robinson
Punisher - Phoebe Bridgers
Music, ReviewsJuly 9, 2020<December 1, 2020

On Being Gone Forever: Phoebe Bridgers’ ‘Punisher’ as a Meditation on Death

by James Crowley
Posts pagination
1 … 388 389 390 391 392 … 712

Brand New

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success

:: discover something new ::

Recent Posts

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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