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Shura © Nicole Almeida
Concerts, Music, ReviewsOctober 28, 2019<October 28, 2019

Live Review: Shura Transports Philly’s Johnny Brenda’s into the World of Forevher

by Nicole Almeida
Space Cadet - beabadoobee
Music, ReviewsOctober 28, 2019<October 28, 2019

Review: beabadoobee Breaks Bedroom Pop Bubble on Grunge-Inspired EP ‘Space Cadet’

by Harper Beattie
MisterWives 2019 © Shervin Lainez
Features, Interviews, MusicOctober 28, 2019<October 28, 2019

Real Songs, Real Talk, and Real People: A Conversation with MisterWives

by Kelly McCafferty Dorogy
Opia © 2019
Columns, Music, Today's SongOctober 28, 2019<October 28, 2019

Today’s Song: Opia Make Cynicism Sound Sexy with “Beverly Blues”

by Anthony Kozlowski
Blaenavon - Everything that Makes You Happy
Music, Reviews, This Just InOctober 25, 2019<October 25, 2019

Review: Blaenavon’s Chaotically Human and Gorgeous ‘Everything That Makes You Happy’

by Nicole Almeida
Hanorah © GRL Photographie
Features, Interviews, MusicOctober 25, 2019<October 25, 2019

The Good, The Bad, and Everything in Between: A Conversation with Hanorah

by Nicole Almeida
Our Favorite Albums of 2012
Albums of the Decade, Columns, Features, MusicOctober 25, 2019<December 5, 2019

Our Favorite Albums of the Decade: 2012

by Atwood Magazine Staff
Without Fear - Dermot Kennedy
Debut, Music, ReviewsOctober 25, 2019<October 24, 2019

Review: Dermot Kennedy Forges His Own Path on Debut Album ‘Without Fear’

by Erica Danielle Garcia
Myylo
Columns, Music, Today's SongOctober 25, 2019<October 25, 2019

Today’s Song: Myylo Stands Up Against Toxic Masculity in Latest Single “Sad Boys”

by Alicia Bugallo
The 1975
Music, Reviews, This Just InOctober 25, 2019<October 25, 2019

The 1975 Address Social Anxiety on New Single “Frail State of Mind”

by Madison Vettorino
Marinho © Marta Olive
Debut, Features, Interviews, MusicOctober 24, 2019<October 24, 2019

Interview: Marinho Dives into her Intimately Vulnerable Debut Album ‘~’

by Mitch Mosk
Will Samson © Desiree Rousseau
Music, PremieresOctober 24, 2019<October 24, 2019

Premiere: Will Samson Blends Grief & Bliss into Ethereal New Song “Flowerbed”

by Mitch Mosk
Kaleb Mitchell
Interviews, MusicOctober 24, 2019<October 24, 2019

Patience and Internet-Savviness Rewarded: A Conversation with Kaleb Mitchell

by Josh Weiner
Columns, Music, Today's SongOctober 24, 2019<October 23, 2019

Today’s Song: Elliot Moss Fights Anxieties and Builds a “Barricade”

by Maggie McHale
Melt Yourself Down
Concerts, MusicOctober 24, 2019<October 23, 2019

Live Review: Melt Yourself Down’s Magnetic Show Dazzles at London’s Studio 9294

by Luke Pettican
Posts pagination
1 … 470 471 472 473 474 … 728

Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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