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FUSHIA © Isabelle Edsmyr
Columns, Music, Today's SongJune 18, 2019<June 18, 2019

Today’s Song: FUSHIA’s Meaningful Alt-Pop Single “Gold”

by Ben Beamish
Lila Drew © Miriam Marlene
Features, Music, ReviewsJune 17, 2019<June 18, 2019

Feature: Lila Drew Opens Up Her Confessional Debut EP ‘locket (side one)’

by Mitch Mosk
Far Caspian
Interviews, Music, ReviewsJune 17, 2019<June 17, 2019

Adulthood, Family, and the Ties that Bind Them Together: A Conversation with Far Caspian

by Adrian Vargas
Jamestown Revival © Paul Pryor
Music, ReviewsJune 17, 2019<June 17, 2019

Review: Brilliance in Simplicity Makes Jamestown Revival’s ‘San Isabel’ a Triumph

by Kelly McCafferty Dorogy
Naaz © Peggy Kuiper
Columns, Music, Today's SongJune 17, 2019<June 26, 2019

Today’s Song: Naaz Demands to be Heard with “TAPED”

by Luke Pettican
Roundup061419
Features, Music, Weekly RoundupJune 14, 2019<June 14, 2019

Atwood Magazine’s Weekly Roundup: June 14, 2019

by Atwood Magazine Staff
X Ambassadors © Lauren Kallen
Features, Interviews, MusicJune 14, 2019<June 17, 2019

Interview: Forging a Path Forward with X Ambassadors

by Audrey Steeves
Mundy's Bay © Véronique Levesque
Features, Music, ReviewsJune 14, 2019<June 14, 2019

So Far Yet So Near: Questioning Distances with Mundy’s Bay’s ‘Control Room’

by Frankie Rose
Doom Days, Bastille's third album, will release June 14, 2019 via Virgin Records 7.9
Music, Our Take, ReviewsJune 14, 2019<December 15, 2020

Our Take: Bastille Dissect the Anxiety and Euphoria of Modern Life on ‘Doom Days’

by Meredith Nardino
Ray Silvers © Lillie Miller
Columns, Music, Today's SongJune 14, 2019<July 31, 2019

Today’s Song: Ray Silvers’ Paradisiacal “Drive” is the Perfect Song to Fall in Love To

by Nicole Almeida
Busyhead - Noah Kahan 9
Debut, Interviews, Music, Our Take, ReviewsJune 14, 2019<September 17, 2021

Our Take: Noah Kahan’s Intimate ‘Busyhead’ Is a Powerfully Moving Debut Album

by Mitch Mosk
Foxygen © Nicky Giraffe
Features, Interviews, MusicJune 13, 2019<June 14, 2019

Interview: Foxygen Don’t Give a Fuck Anymore, and That’s Quite Alright

by Nick Baron
Saw You In A Dream - County Line Runner
Interviews, Music, PremieresJune 13, 2019<June 13, 2019

Premiere: County Line Runner’s New Single “Saw You in a Dream” Taps into an Ephemeral Magic

by Mitch Mosk
FRENSHIP 2019 © Kelsey Fitzgerald
Concerts, Music, ReviewsJune 13, 2019<June 13, 2019

Live Review: FRENSHIP are Captivating and Contagious at Irving Plaza

by Kelsey Fitzgerald
Bradley Arthur Maxwell © Britt Wilen
Music, PremieresJune 13, 2019<June 19, 2019

Premiere: Bradley Arthur Maxwell Searches for Solace in “Easy on Me”

by Luke Pettican
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Brand New

  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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