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Features, Music, Weekly RoundupJune 7, 2019<June 7, 2019

Atwood’s Weekly Roundup: June 7, 2019

by Atwood Magazine Staff
Titanic Rising - Weyes Blood
Music, Our Take, ReviewsJune 7, 2019<June 7, 2019

Our Take: The Cinematic Pull of Weyes Blood’s ‘Titanic Rising’

by Frankie Rose
Editor's-Picks-06-07-2019
Columns, Editor's Picks, Features, MusicJune 7, 2019<July 3, 2019

Editor’s Picks: June 7, 2019

by Mitch Mosk
Tunes & Tumblers Banner © Pedro Isaac Chairez
Music, Podcast, Tunes & TumblersJune 7, 2019<April 30, 2023

Podcast: Tunes & Tumblers Introduces Your New Drinking Buddies

by Anthony Kozlowski
Maude Latour © Angela Platt
Columns, Music, Today's SongJune 7, 2019<June 7, 2019

A Different Kind of Love Song: Maude Latour Enchants with Latest Single “Plans”

by Adrian Vargas
John Paul White © Alysse Gafken
Features, Interviews, MusicJune 6, 2019<June 6, 2019

Interview: Reviving Countrypolitan Music with John Paul White’s ‘The Hurting Kind’

by Frankie Rose
WESLEE © Sergio Necoechea
Interviews, Music, PremieresJune 6, 2019<June 6, 2019

Premiere: Indulgent As Ever, WESLEE Return with Irresistible “London Love”

by Mitch Mosk
Music, PremieresJune 6, 2019<June 6, 2019

Premiere: Alec Shaw Astonishes on Soul-Filled Single “Alone In My Bed”

by Adrian Vargas
Sylvan Esso © Kendall Bailey
Columns, Music, Today's SongJune 6, 2019<June 6, 2019

Today’s Song: Sylvan Esso’s Quiet Reprieve “Slack Jaw”

by Coco Rich
Deanna Petcoff © Sabrina Carrizo-Sztainbok
Interviews, MusicJune 5, 2019<June 5, 2019

Interview: Deanna Petcoff Channels Angst & Insecurity into Third Single “Stage Lights”

by Mitch Mosk
Podge © 2019
Debut, Music, PremieresJune 5, 2019<June 5, 2019

Premiere: Podge Dreams Up Something New in Sun-Kissed Debut “Yuka-Peno”

by Mitch Mosk
Sleeping at Last © Sleeping at Last 2019
Features, Interviews, MusicJune 5, 2019<January 2, 2020

Feature: Sleeping At Last Reflects Upon ‘Atlas II’, Innate Human Characteristics, and Personality Types

by Guest Writer
Columns, Music, Today's SongJune 5, 2019<June 5, 2019

Today’s Song: Sorcha Richardson’s “Don’t Talk About It” Is a Sunny, Insightful Anthem of Personal Strength

by Adrian Vargas
Donna Missal © Muriel Margaret
Columns, Music, Today's SongJune 4, 2019<June 5, 2019

Today’s Song: “Get Well” Is Donna Missal’s Anti-Valentine’s Day Anthem

by Alicia Bugallo
The Maine © 2017
Columns, Music, Tunes & TumblersJune 3, 2019<April 30, 2023

Tunes & Tumblers: Lost in Reverie with The Maine

by Anthony Kozlowski
Posts pagination
1 … 514 515 516 517 518 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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