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IMOGEN © Ruth Kilpatrick
Debut, Music, Premieres, ReviewsOctober 22, 2018<October 22, 2018

EP Premiere: The Poetic Vulnerability of IMOGEN’s Breathtaking Debut ‘Faze Green’

by Mitch Mosk
Equador © 2018
Music, Music Videos, PremieresOctober 19, 2018<October 19, 2018

Premiere: Urgency & Unrest in Equador’s Immersive “Treble Oh”

by Mitch Mosk
Kramies © Jérôme Sevrette
Interviews, Music, ReviewsOctober 19, 2018<October 19, 2018

Venture into Kramies’ Abstract Personal Diary, ‘Of All the Places Been & Everything the End’

by Mitch Mosk
Saski © 2018
Music, Music Videos, PremieresOctober 19, 2018<October 19, 2018

Premiere: Saski’s “Set Fire” Mesmerizes with Vulnerability & Whimsical Energy

by Baylee Less
Mitski © Bao Ngo
Essays, Features, Music, ReviewsOctober 19, 2018<October 19, 2018

From ‘Lush’ to ‘Be the Cowboy’: Along for the Ride of Mitski’s Evolution

by Jesse Herb
Arkells © Matt Barnes
Features, Interviews, MusicOctober 19, 2018<October 18, 2018

A Rally Cry for Arkells: The People’s Band

by Natalie Harmsen
Slaves © 2018
Features, Interviews, MusicOctober 19, 2018<October 11, 2019

Some Meditations on Punk: Hanging in the Basement with Slaves

by Nick Baron
Palmas © 2018
Music, PremieresOctober 18, 2018<October 18, 2018

Premiere: Palmas Dazzle with Warm Wonder in “Where Are You Going?”

by Mitch Mosk
Holy Golden © Dana Trippe
Music, PremieresOctober 18, 2018<October 18, 2018

Premiere: Higher Connection in Holy Golden’s Dreamy “Seven of Diamonds”

by Mitch Mosk
prinze george © Joilyn Jackson
Music, Premieres, ReviewsOctober 18, 2018<October 18, 2018

Premiere: Prinze George Take Flight with Bold, Bright ‘Airborne’ EP

by Mitch Mosk
Music, Music Videos, PremieresOctober 18, 2018<October 18, 2018

Premiere: Dark Urgency Rushes Through Hunter & The Bear’s “Chemical” Video

by Mitch Mosk
Katy Rea © Sara Laufer
Music, PremieresOctober 17, 2018<October 17, 2018

Premiere: Get Better with Katy Rea’s “Brain on Snacks”

by Nicole Almeida
Karim © Poppy Marriott // https://www.poppymarriott.co.uk/
Music, PremieresOctober 17, 2018<October 17, 2018

Premiere: “Dance” All Them Lovers Away with Karim’s Intimate Alt-Pop Jam

by Mitch Mosk
The Strokes
Columns, Music, Nostalgia TracksOctober 17, 2018<October 16, 2018

Nostalgia Tracks: The Strokes’ Raw Grit Just Gets Better with Age

by Sara Santora
Pyxis © 2018
Debut, Music, PremieresOctober 17, 2018<October 17, 2018

Premiere: Pyxis Wants All of Us to Do Our “Own Thing”

by Caitlin Ison
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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