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America Jayne © Sarah Rodriguez
Music, PremieresApril 13, 2022<April 13, 2022

Premiere: Brooklyn’s America Jayne Unveils Her Impassioned & Vulnerable Bubblegrunge Single, “Open Casket”

by Chloe Robinson
Emét © Charlie Hart
MusicApril 13, 2022<April 13, 2022

Today’s Song: It’s Just One of Those Days on Emét’s “The Chelsea Hotel Is Closed Until Further Notice”

by Mitch Mosk
Red Hot Chili Peppers © Clara Balzary 8.4
Music, Our Take, ReviewsApril 13, 2022<April 13, 2022

Our Take: ‘Unlimited Love’ Is a Funky and Upbeat Delight for the Retooled Red Hot Chili Peppers

by Josh Weiner
Cloudbelly © Cara Totman
Music, Music Videos, PremieresApril 12, 2022<April 12, 2022

Premiere: Cloudbelly’s Intimate “Leavened” Reckons & Soothes in the Eye of the Inner Storm

by Mitch Mosk
Johnnyswim © Chloe Enos
Features, Interviews, MusicApril 8, 2022<April 30, 2024

Dreaming Big & Celebrating the Mundane: Johnnyswim Dive into Their Eponymous 4th Album

by Kelly McCafferty Dorogy
VanWyck © Jitske Schols
Features, Music, Premieres, Track-by-TrackApril 7, 2022<April 6, 2022

Album Premiere: VanWyck Dives into Her Rich, Ambitious, & Mysterious ‘The Epic Tale of the Stranded Man’

by Mitch Mosk
Caitlyn Smith © Robert Chavers
Features, Interviews, MusicApril 7, 2022<March 11, 2024

Breaking Down Barriers in Country Music: Caitlyn Smith on Self-Producing New Album ‘High’ & Why Country Music Needs More Women Producers

by Emily Frances Algar
Gary O'Neill © Zyanya Lorenzo
Columns, Music, Today's SongApril 6, 2022<April 6, 2022

Today’s Song: Gary O’Neill’s Beautifully Bittersweet “Petals” Aches with Love & Longing

by Mitch Mosk
almost sex © Trevor Brenden
Debut, Features, Music, Reviews, Track-by-TrackApril 6, 2022<April 14, 2022

“Warts and All”: Brooklyn’s almost sex Shine an Intimate & Raw Indie Folk Light on Debut EP ‘We’re Okay’

by Mitch Mosk
Maddox Jones © 2022
Debut, Features, Music, Premieres, Track-by-TrackApril 6, 2022<April 7, 2022

Album Premiere: Maddox Jones Soars on His Epic, Emotive, & Joyful Debut Album ‘Believe It’

by Mitch Mosk
Dekker © Emily & Katy
Music, PremieresApril 6, 2022<April 6, 2022

Premiere: Dancing the Days Away with Dekker’s Grooving “Let’s Pretend”

by Mitch Mosk
Royal Blood © Katja Orgrin
Concerts, MusicApril 6, 2022<April 6, 2022

Live Review: Royal Blood Reign Supreme in Bournemouth

by Bethan Harper
Foxes © 2022
Features, Interviews, MusicApril 5, 2022<September 29, 2022

“Alchemy in Dance”: Inside Foxes’ Bold, Impassioned, & Irresistible 3rd Album ‘The Kick’

by Mitch Mosk
Velvet © 2022
Columns, Music, Today's SongApril 5, 2022<April 5, 2022

Today’s Song: Glasgow’s Velvet Shake, Rattle, Rock N’ Roll on Electrifying 3rd Single “I Prefer You (In My Head)”

by Mitch Mosk
Jelly Oshen © Bridie J Egan
Music, PremieresApril 5, 2022<April 5, 2022

Premiere: Dance Along to Jelly Oshen’s Soulful Quarantine Groove “Bordalonely”

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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