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Kelsea Ballerini © Patrick Tracy
Features, Interviews, MusicSeptember 15, 2022<March 11, 2023

“An Open Heart”: Kelsea Ballerini on Finding Herself and Her Voice on New Album, ‘SUBJECT TO CHANGE’

by Emily Frances Algar
Gordi © Jess Gleeson
Features, Interviews, Music, Track-by-TrackSeptember 15, 2022<December 11, 2022

“Escape Outwards Inwards”: Gordi Discusses Her Beautifully Raw & Innately Human ‘Inhuman’ EP

by Mitch Mosk
Walker Landgraf © 2022
Music, PremieresSeptember 15, 2022<September 15, 2022

“Comfort, Community, and Making a Home”: Walker Premieres Soulful & Soothing New Single, “I’ll Be Right Here”

by Mitch Mosk
Stalking Gia © 2022
Columns, Music, Today's SongSeptember 15, 2022<September 14, 2022

Today’s Song: Stalking Gia Examines a Bliss Laced in Sorrow with “saddest happy girl”

by Chloe Robinson
Nitti Gritty © Koury Angelo
MusicSeptember 14, 2022<September 13, 2022

Interview: Nitti Gritti Will “Drive You Crazy” with Summer Lovin’ & Nostalgia on New Collab with Dylan Matthew

by Josh Weiner
Jenny Kern © Mara Rothman
Columns, Music, Today's SongSeptember 14, 2022<September 13, 2022

Today’s Song: Explore the Strength in Vulnerability with Jenny Kern’s “I Should Lose You”

by Joe Beer
Mellor © Alex Wickenden
Artist to Watch, Music, PremieresSeptember 13, 2022<September 14, 2022

Artist to Watch: UK Indie Rockers Mellor Roar on Stunning, Sardonic “Battle Hardened” Off Forthcoming Debut

by Mitch Mosk
Laufey © Gemma Warren 9.1
Debut, Music, Our Take, ReviewsSeptember 13, 2022<September 12, 2022

Our Take: Tender, Intimate, & Warm, Laufey Wears Her Heart on Her Sleeve in ‘Everything I Know About Love’

by Isabella Le
Bonny Light Horseman (Anaïs Mitchell, Eric D. Johnson, and Josh Kaufman) © D. James Goodwin
Columns, Music, Today's SongSeptember 13, 2022<September 12, 2022

Today’s Song: Healing in Retrospect with Bonny Light Horseman’s “Summer Dream”

by Collin Leonard
Calum Scott © Tom Cockram
Features, Interviews, MusicSeptember 12, 2022<September 29, 2022

“Honest, Brave & Liberating”: Building ‘Bridges’ with Calum Scott

by Mitch Mosk
Mad Cool Festival © Jaime Erice Torán
Festival, Music, ReviewsSeptember 12, 2022<September 16, 2022

Inside Mad Cool Festival 2022: Alt Rock, Tapas, and a New Beginning?

by Michael Greco
Vivi Rincon © Lucy Ketchum
Columns, Music, Today's SongSeptember 12, 2022<September 12, 2022

Today’s Song: Love & Lust in Vivi Rincon’s “can’t breathe”

by Kelly McCafferty Dorogy
Atwood Magazine's Editor's Picks 72
Columns, Editor's Picks, Features, MusicSeptember 9, 2022<September 29, 2022

Editor’s Picks 72: easy life & BENEE, PRONOUN, Darling Farm, Bleach Lab, Abby Holliday, & Jake Wesley Rogers!

by Mitch Mosk
Loviet © Leo Montero
Artist to Watch, Columns, Music, Today's SongSeptember 9, 2022<September 9, 2022

Artist to Watch: Toronto’s Loviet Returns with Bold, Breathtaking “Broken Lips”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 9, 2022
Columns, Features, Music, Weekly RoundupSeptember 9, 2022<September 29, 2022

Atwood Magazine’s Weekly Roundup: September 9, 2022

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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