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Lola Kirke © Zack Michael
Features, Interviews, MusicJune 27, 2022<July 2, 2022

Portrait of a ‘Lady for Sale’: Lola Kirke on Her ’80s Inspired Second Album

by Guest Writer
FVNERAL (clockwise from top left): Carlo Hilton (guitar/bass), Zac Olsen (keys/saxophone), Jay Wennington (creative direction), Jackson Kent (guitar/bass), Tim Blunt (vocals/guitar), Jess Hope (content/creative strategy), Ally Turner (vocals/guitar) © Jay Wennington
Columns, Essays, Music, Pride MonthJune 27, 2022<June 27, 2022

Pride Month Essay: FVNERAL’s Tim Blunt on Putting Up a White Flag in the War Against Yourself

by Guest Writer
Joji © Forrest Grenfell
Columns, Music, Today's SongJune 27, 2022<February 3, 2023

Today’s Song: Joji’s Transparent Contemplation of Vacant and Ill-Fated Love in “Glimpse of Us”

by Isabella Le
Atwood Magazine's Weekly Roundup | June 24, 2022
Columns, Features, Music, Weekly RoundupJune 24, 2022<June 29, 2022

Atwood Magazine’s Weekly Roundup: June 24, 2022

by Atwood Magazine Staff
Muna © Isaac Schneider
Features, Interviews, MusicJune 24, 2022<April 24, 2025

“All Killer, No Filler”: MUNA Discuss Joy & Desire on Their Self-Titled Third Album

by Nasim Elyasi
WANT - Johnny Hunter 10
Debut, Features, Interviews, Music, Track-by-TrackJune 24, 2022<July 2, 2022

“Welcome to your existence”: Johnny Hunter Triumph with Debut ‘WANT’, a Cinematic Post-Punk Masterpiece

by Mitch Mosk
OSKA © Hanna Fasching
Features, Interviews, Music, Track-by-TrackJune 24, 2022<June 28, 2022

“My world, My love, Paris”: Vienna’s OSKA Shines on Her Beautifully Warm & Wondrous Debut Album

by Mitch Mosk
Spacey Jane © Sam Hendel
Features, Interviews, Music, Track-by-TrackJune 24, 2022<August 14, 2022

‘Here Comes Everybody’: Inside Spacey Jane’s Spirited, Resilient, & Triumphant Sophomore Album

by Mitch Mosk
Quinn Christopherson © Emma Shaffer
Columns, Essays, Music, Pride MonthJune 24, 2022<June 23, 2022

“Family Gifts”: A Pride Month Essay by Quinn Christopherson

by Guest Writer
Like I Used To - Sharon Van Etten x Angel Olsen © Dana Trippe
Columns, Music, Today's SongJune 24, 2022<June 24, 2022

Today’s Song: Sharon Van Etten and Angel Olsen’s “Like I Used To” Is a Beacon of Hope

by Sophie Prettyman-Beauchamp
Soccer Mommy © Sophie Hur
Music, ReviewsJune 24, 2022<June 24, 2022

Review: Soccer Mommy Quivers Unapologetically in Third Album ‘Sometimes, Forever’

by Rachel Leong
The Peach Music Festival 2022
Festival, Music, ReviewsJune 23, 2022<June 23, 2022

Preview: The Peach Music Festival Returns to Scranton for Its 10th Anniversary

by Christopher Snyder
wilter © 2022
Features, Interviews, Music, Track-by-TrackJune 23, 2022<July 2, 2022

“Melancholic, Eerie, & Soothing”: Inside wilter’s Debut ‘all this leaving’, a Record of Haunting Depression & Mellow Wonder

by Mitch Mosk
Meyru © Kevin Condon
Features, Interviews, Music, Track-by-TrackJune 23, 2022<August 13, 2022

“Scattered, Smothered, & Covered”: ‘Slow Up’ with Meyru’s Relentless and Charming Sophomore Album

by Mitch Mosk
Flowers of palo © 2022
Columns, Music, Today's SongJune 23, 2022<June 23, 2022

Today’s Song: Flowers of palo Are Blossoming into the Next Indie Powerhouse with “Soho Abode”

by Madeleine Eggen
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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