• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Features, Interviews, MusicAugust 10, 2021<August 17, 2021

To Those Left Standing: Laura Stevenson on Her Self-Titled Album, Trauma, and Making Amends

by Mariel Fechik
The Wandering Hearts © Shane McCauly
Features, Music, Reviews, Track-by-TrackAugust 10, 2021<August 10, 2021

“Eclectic, Hopeful, & Feel-Good”: The Wandering Hearts Soar on Stunning Self-Titled Sophomore Album

by Mitch Mosk
Chet Faker © Jelani Roberts
Features, Interviews, MusicAugust 10, 2021<August 10, 2021

Interview with Chet Faker (Nick Murphy): Following Instinct and Finding the Joy in Music

by Maggie McHale
Attitude - Leikeli47
Columns, Music, Today's SongAugust 10, 2021<August 9, 2021

Today’s Song: Leikeli47 Is a Trendsetting Hero on “Attitude”

by Kosiso Ugwueze
Columns, Music, Today's SongAugust 9, 2021<August 9, 2021

Today’s Song: Alexis Marshall Presents an Ominous Atmosphere with “Open Mouth”

by Nick Matthopoulos
Plain Mister Smith © Sandra Lockwood
Music, PremieresAugust 6, 2021<February 6, 2023

Premiere: “The Rat” Leads Us into the Mysterious Universe of Plain Mister Smith

by Frankie Rose
LOONY © 2021
Features, Music, Reviews, Track-by-TrackAugust 6, 2021<August 6, 2021

“Forever, Soft, & Brave”: Toronto’s LOONY Is Intimate & Unfiltered in Sophomore EP ‘soft thing’

by Mitch Mosk
Victoria Dodson
Columns, Music, Today's SongAugust 6, 2021<August 6, 2021

Today’s Song: The Tender & Poignant Heartache of Victoria Dodson’s “Homesick”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 6, 2021
Columns, Features, Music, Weekly RoundupAugust 6, 2021<August 13, 2021

Atwood Magazine’s Weekly Roundup: August 6, 2021

by Atwood Magazine Staff
777 - KEY!, Kenny Beats
Columns, Music, The Collab ColumnAugust 5, 2021<August 5, 2021

The Collab Column: KEY! and Kenny Beats’ ‘777’

by Leo Culp
Evan Effres © Niminde Perera
Music, ReviewsAugust 5, 2021<August 5, 2021

Review: Evan Effres Navigates Turmoil with Grace in Catchy, Cathartic “Paradigm Shift”

by Mitch Mosk
Pageants © Tabor Allen
Features, Music, Reviews, Track-by-TrackAugust 5, 2021<August 5, 2021

“Liberating, Confrontational, Yearning”: Pageants Shine on Sophomore Album ‘Sun and Settled Days’

by Mitch Mosk
WONDALAND - TENI THE ENTERTAINER
Features, Interviews, MusicAugust 5, 2021<August 5, 2021

“Entertaining, Musical, & Inspirational”: TENI THE ENTERTAINER Shines on Radiant Debut ‘WONDALAND’

by Mitch Mosk
We Are The Willows (right) & Orchid Eaton (left) © Peter M
Music, PremieresAugust 5, 2021<August 5, 2021

Premiere: We Are The Willows & Orchid Eaton’s “Keep Your Head Up” Is a Mantra for Turbulent Times

by Mitch Mosk
Columns, Music, Today's SongAugust 5, 2021<August 5, 2021

Today’s Song: Addicted to Love in Natalie Shay’s “Medicine Boy”

by Joe Beer
Posts pagination
1 … 297 298 299 300 301 … 727

Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services