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Interviews, MusicSeptember 28, 2021<September 28, 2021

Interview: Dancing Through the Pains of Youth with Modernlove.

by Adrian Vargas
Glenn Echo © Ariana Dixon
Music, PremieresSeptember 28, 2021<September 27, 2021

Premiere: Embracing Vulnerability with Glenn Echo’s Soft & Stirring Alt-Folk Protest Song, “How Much Blood”

by Mitch Mosk
Mano Le Tough © Kostas Maros 8
Music, Our Take, ReviewsSeptember 28, 2021<September 27, 2021

Our Take: Mano Le Tough Opens Wide the Toy Chest for ‘At the Moment’

by Ben Niesen
FLOWVERS © Indy Brewer
Columns, Music, Today's SongSeptember 28, 2021<September 28, 2021

Today’s Song: FLOWVERS Return with Soaring & Searing Single “Far Away”

by Mitch Mosk
self-care - bad tuner
Debut, Interviews, MusicSeptember 27, 2021<September 29, 2021

Interview with bad tuner: A Brooklyn EDM Buff Practicing Proper ‘self-care’ on Debut EP

by Josh Weiner
Fime © Eleanor Petry
Columns, Music, Today's SongSeptember 27, 2021<September 27, 2021

Today’s Song: LA’s Fime Weave a World of Lush, Sweet Indie Rock Wonder in “Born 2 Love”

by Mitch Mosk
Glass Heart String Choir © Ryan J. Salva
Music, PremieresSeptember 27, 2021<September 27, 2021

Premiere: Glass Heart String Choir’s Bittersweet & Achingly Vulnerable “Wounds”

by Mitch Mosk
Isle of Wight Festival © Callum Baker
Festival, MusicSeptember 27, 2021<September 27, 2021

Isle of Wight Festival 2021: More Than Just the Headliners

by Bethan Harper
The Muslims © Chris Charles
Music, ReviewsSeptember 24, 2021<September 24, 2021

Album Review: The Muslims Scorch Earth and Revive Punk on ‘Fuck These Fuckin Fascists’

by Oliver Crook
Atwood Magazine's Weekly Roundup | September 24, 2021
Columns, Features, Music, Weekly RoundupSeptember 24, 2021<September 24, 2021

Atwood Magazine’s Weekly Roundup: September 24, 2021

by Atwood Magazine Staff
Wayne Snow © Kiroubel Beaujour
Features, Interviews, MusicSeptember 24, 2021<September 27, 2021

Interview: WAYNE SNOW on Identity, Facades, and His Smoldering Sophomore LP ‘Figurine’

by Mitch Mosk
Columns, Music, Today's SongSeptember 24, 2021<September 24, 2021

Today’s Song: A Breezy & Soulful Look Into Taylor Kelly’s Mind With “Maybe”

by Adrian Vargas
Frames © 2021
Debut, Features, Music, Reviews, Track-by-TrackSeptember 24, 2021<September 24, 2021

Track-by-Track: Frames’ Heartfelt & Hard-Hitting Debut Album ‘Every Room’

by Mitch Mosk
Everything's Waiting for You - Tom Speight
Features, Music, Reviews, Track-by-TrackSeptember 24, 2021<September 24, 2021

Feature: Tom Speight Captures Life’s Beauty & Wonder in Sophomore LP ‘Everything’s Waiting for You’

by Mitch Mosk
Merpire © Nick Mckk
Debut, Features, Music, Reviews, Track-by-TrackSeptember 23, 2021<September 23, 2021

A Diary and a Daydream: Inside Merpire’s Stunning Debut Album ‘Simulation Ride’

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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