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Columns, Music, Today's SongAugust 5, 2021<August 5, 2021

Today’s Song: Addicted to Love in Natalie Shay’s “Medicine Boy”

by Joe Beer
Strawberry Launch © Will Montgomery
Debut, Features, Music, Premieres, Track-by-TrackAugust 4, 2021<August 4, 2021

EP Premiere: NYC’s Strawberry Launch Weave a Sweet Psychedelic Haze in Self-Titled Debut

by Mitch Mosk
Dutch Criminal Record © 2021
Music, Music Videos, PremieresAugust 4, 2021<August 4, 2021

Premiere: England’s Dutch Criminal Record Return with Intimate & (Bitter)Sweet “Return to Dust”

by Mitch Mosk
Music, ReviewsAugust 4, 2021<August 4, 2021

Review: Billie Eilish Is Back and ‘Happier Than Ever’

by Mariel Fechik
Kyd the Band © Garret Hayes
Features, Music, Reviews, Track-by-TrackAugust 4, 2021<August 4, 2021

“Conclusive, Settled, & Hopeful”: Kyd the Band Dives into His Hauntingly Beautiful ‘Season 4: Series Finale’

by Mitch Mosk
Tom West © Lauren Connelly
Features, Music, Reviews, Track-by-TrackAugust 4, 2021<August 4, 2021

“Slightly Psychedelic Folk Rock”: Tom West Shines on Radiant Third LP ‘I’m Livin’’

by Mitch Mosk
Columns, Music, Today's SongAugust 4, 2021<January 30, 2024

See Love Flower and Fade with Tyler, the Creator’s “WILSHIRE”

by Nasim Elyasi
Luke Hemmings © Scottie Cameron
Columns, Music, Today's SongAugust 3, 2021<August 3, 2021

5SOS Frontman Luke Hemmings Breaks Out at the “Starting Line” with Anthemic Solo Debut

by Mitch Mosk
Kenneth Whalum © A Brilliant Dummy
Features, Music, Reviews, Track-by-TrackAugust 3, 2021<August 3, 2021

“Heavy, Meaningful, & Haunting”: Kenneth Whalum’s Smoldering, Stirring Sophomore LP ‘Broken Land 2’

by Mitch Mosk
Coral Moons © Tatiana Ariola
Debut, Features, Interviews, Music, Premieres, Track-by-TrackAugust 3, 2021<August 3, 2021

“Exploratory, Reflective, & Textured”: Boston’s Coral Moons Shimmer & Shine on Radiant Debut ‘Fieldcrest’

by Mitch Mosk
Cold Weather Company © Carlos Perez
Music, PremieresAugust 2, 2021<August 2, 2021

Premiere: Cold Weather Company’s “Movement” Is an Uplifting Guide to Living in (and Embracing) the Moment

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 30, 2021
Columns, Features, Music, Weekly RoundupJuly 30, 2021<October 5, 2021

Atwood Magazine’s Weekly Roundup: July 30, 2021

by Atwood Magazine Staff
Matilda Mann © Nicole Ngaise
Columns, Music, Today's SongJuly 30, 2021<July 30, 2021

Today’s Song: West London’s Matilda Mann Comes to Life in Intimate & Wondrous “Bloom”

by Mitch Mosk
Joe Bourdet © Sara Ross Samko
Debut, Features, Music, Reviews, Track-by-TrackJuly 30, 2021<July 30, 2021

“Wooden, Airy, & Laid-Back”: Joe Bourdet’s Debut LP ‘Meadow Rock’ Channels the Radiant, Warm California Sun

by Mitch Mosk
Features, Interviews, MusicJuly 30, 2021<July 30, 2021

Animus & Anima: LUMP (Laura Marling & Mike Lindsay) on New Record ‘Animal’

by Mariel Fechik
Posts pagination
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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