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Robert Ellis Orrall © Ricardo Fernandez
Features, Interviews, MusicSeptember 23, 2021<September 27, 2021

Interview: Robert Ellis Orrall’s ‘467 Surf and Gun Club’, a Portrait of a Musician’s Heaven

by Mitch Mosk
MarthaGunn © 2021 9.1
Debut, Features, Music, Reviews, Track-by-TrackSeptember 23, 2021<November 4, 2021

Feature: MarthaGunn Shine on Vulnerable, Confident, & Reflective Debut Album ‘Something Good Will Happen’

by Mitch Mosk
Sli’merre - Young Nudy, Pi'erre Bourne
Columns, Music, The Collab ColumnSeptember 23, 2021<September 22, 2021

The Collab Column: Young Nudy and Pi’erre Bourne’s ‘Sli’merre’

by Leo Culp
Vacances © Todd Schmiedlin
Music, PremieresSeptember 23, 2021<September 29, 2021

Premiere: Vacances’ Buoyant New Single “Love Collapse” Is a Resilient Revelry

by Mitch Mosk
James Blake © Miles Johnston
Columns, Music, Today's SongSeptember 23, 2021<January 30, 2024

Today’s Song: James Blake Explores a Different Kind of Loss with “Life Is Not the Same”

by Nasim Elyasi
Mini Trees © Nina Raj 9.1
Debut, Features, Interviews, Music, Our Take, ReviewsSeptember 22, 2021<September 22, 2021

“Relatable Indie Pop”: Mini Trees’ Debut Album ‘Always in Motion’ is a Dreamy, Triumphant Reckoning

by Mitch Mosk
Larkins © Ryan Jafarzadeh
Concerts, MusicSeptember 22, 2021<September 22, 2021

Live Review: Larkins Take Us To Heaven and Back on ‘If + When’ Tour

by Bethan Harper
Durand Jones & The Indications © Ebru Yildiz
Features, Interviews, MusicSeptember 22, 2021<September 26, 2021

Interview: We Can Dance Together Once More with Durand Jones & The Indications’ ‘Private Space’

by Sophie Prettyman-Beauchamp
Sean Medlin © Nina Paz
Books, Columns, Music, ReviewsSeptember 22, 2021<September 22, 2021

Book Review: Sean Avery Medlin Creates a New Universe Begging to be Explored in ‘808s & Otherworlds’

by Oliver Crook
Victoria Bigelow © 2021
Music, PremieresSeptember 22, 2021<September 22, 2021

Premiere: Victoria Bigelow’s Gut-Wrenchingly Intimate & Breathtakingly Raw ‘waves’ EP

by Mitch Mosk
Columns, Music, Today's SongSeptember 22, 2021<September 22, 2021

Today’s Song: Alice Pisano Eases Us into Autumn with the Golden “September”

by Joe Beer
The Slang © 2021
Debut, Features, Music, Premieres, Track-by-TrackSeptember 22, 2021<September 22, 2021

Expressive, Moody, & Cathartic: DC’s The Slang Premiere Their Cinematic Debut Album, ‘Divide’

by Mitch Mosk
Distractions - Kelsey Abbott
Music, PremieresSeptember 21, 2021<September 21, 2021

Premiere: Nashville’s Kelsey Abbott Finds Release in Impassioned Alt-Rock Anthem “Distractions”

by Mitch Mosk
elkyn © 2021
Music, Music Videos, PremieresSeptember 21, 2021<September 21, 2021

Premiere: The Blur, Loss, & Warmth of elkyn’s Heartfelt Single “found the back of the tv remote”

by Mitch Mosk
Priya Ragu © Amir Hossain
Features, Interviews, MusicSeptember 21, 2021<October 5, 2021

Damn She’s Tamil: Priya Ragu on Debut Mixtape, Spirituality, & Culture

by Mariel Fechik
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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