• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
SYCCO © Brianna Da Silva
Music, PremieresMay 20, 2021<May 20, 2021

Premiere: Brisbane’s Sycco Exudes Glittering Confidence in “Time’s Up”

by Maggie McHale
Holly Humberstone © Jordan Curtis-Hughes
Artist to Watch, Music, ReviewsMay 19, 2021<December 30, 2021

Holly Humberstone’s Radiant “The Walls Are Way Too Thin” Reckons with Turmoil & Disarray

by Mitch Mosk
Joy Oladokun © Nolan Knight
Artist to Watch, Features, Interviews, MusicMay 19, 2021<October 1, 2021

Bridging the Spiritual and the Physical: A Conversation with Joy Oladokun

by Mitch Mosk
Grace Aimi © ARISAK
Columns, Music, Today's SongMay 19, 2021<May 19, 2021

Today’s Song: Grace Aimi Paints a Colorful Confessional in “Rainbow” Off Debut EP ‘PICNIC’

by Mitch Mosk
Abby Holliday
Music, PremieresMay 19, 2021<May 19, 2021

Artist to Watch: Abby Holliday Soars in Stunning Second Single “8 Hours”

by Mitch Mosk
Laica © Cooper Leith
Music, ReviewsMay 18, 2021<May 18, 2021

Review: LA’s Laica Soars with Radiantly Seductive Songs “Childish” & “Sanctuary”

by Mitch Mosk
Jak Lvr © Milly Hutchcraft
Music, PlaylistsMay 18, 2021<May 18, 2021

Playlist: Teesside’s jak lvr Celebrates North East England’s Indie Scene

by Guest Writer
Atwood Magazine Celebrates AAPI Heritage Month II
Asian American and Pacific Islander Heritage Month, Features, MusicMay 18, 2021<May 27, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. II

by Atwood Magazine Staff
B[1] - Maya B
Debut, Features, Music, Reviews, Track-by-TrackMay 18, 2021<May 18, 2021

“No. Bull. Sh*t.”: Maya B Goes Track-by-Track Through Her Multidimensional Debut EP, ‘B[1]’

by Mitch Mosk
Jake Manzi © Taylor Thompson 9.3
Debut, Features, Music, Our Take, Reviews, Track-by-TrackMay 18, 2021<May 18, 2021

Singer/Songwriter Jake Manzi Spellbinds on Classic Debut Album ‘Whatever My Heart Allows’

by Mitch Mosk
Columns, Music, Today's SongMay 18, 2021<May 18, 2021

Today’s Song: I’m Invokes Nostalgia and Grooves With “Back Seat Memory”

by Nick Matthopoulos
GoldenOak © Elizabeth Leclair
Music, PremieresMay 18, 2021<May 18, 2021

Premiere: GoldenOak’s “These Old Shoes” Confronts the Climate Crisis with Wondrous Folk

by Mitch Mosk
The Trusted © 2021
Music, ReviewsMay 17, 2021<May 17, 2021

The Trusted’s “Rebel Song” Is a Spirited & Anthemic Uproar

by Mitch Mosk
Charity Children © Caroline Mackintosh
Music, ReviewsMay 17, 2021<May 17, 2021

Charity Children’s Beautifully Bittersweet “We Loved” Celebrates Love Come & Gone

by Mitch Mosk
Dodie © Parri Thomas
Debut, Features, Interviews, MusicMay 17, 2021<May 20, 2021

Feature: ‘Build a Problem’ Introduces a New Side of dodie: The Real One

by Nasya Blackshear
Posts pagination
1 … 299 300 301 302 303 … 712

Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services