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LOVE BY NUMB3RS © Cam Jones
Music, Music Videos, PremieresSeptember 21, 2021<September 21, 2021

Premiere: LOVE BY NUMB3RS’ Soulful Single “Colours” Captures a Stunning Spectrum of Feeling

by Mitch Mosk
Katelyn Tarver © Ethan Gulley
Music, Music Videos, PremieresSeptember 21, 2021<September 21, 2021

Premiere: Katelyn Tarver Shines on Radiant & Intimately Unapologetic New Single “Nicer”

by Mitch Mosk
Daisy Abrams © 2021
Music, PremieresSeptember 21, 2021<November 16, 2021

Premiere: Daisy Abrams Tackles Depression & Purpose on “The Early Riser”

by Beau Hayhoe
You, Me, And Everyone We Know © Connor Feimster
Music, Reviews, Today's SongSeptember 21, 2021<September 22, 2021

Today’s Song: You, Me, And Everyone We Know Pack an Existential Punch with “We’re Not Like That!”

by James Crowley
Interviews, Music, PremieresSeptember 21, 2021<July 17, 2023

Premiere: Andrea Tomasi’s Meditative, Spiritual Album ‘Into the Mystery’

by Mariel Fechik
Kaley Rutledge © Monica Murray
Columns, Music, Today's SongSeptember 20, 2021<September 20, 2021

Today’s Song: Kaley Rutledge’s Tranquil, Warm, & Wondrous “Corduroy Coat”

by Mitch Mosk
Caroline & Claude © Andrew Fawcett
Features, Interviews, MusicSeptember 20, 2021<September 20, 2021

Sibling Effervescence and Originality: A Conversation with Caroline & Claude

by Nicole Almeida
Features, Interviews, MusicSeptember 20, 2021<October 27, 2021

A Way to Harmonize: Becca Stevens & The Secret Trio on Fate and Expanding Tradition

by Mariel Fechik
Atwood Magazine's Weekly Roundup | September 17, 2021
Columns, Features, Music, Weekly RoundupSeptember 17, 2021<September 17, 2021

Atwood Magazine’s Weekly Roundup: September 17, 2021

by Atwood Magazine Staff
carwash © Athena Merry
Debut, Features, Music, Reviews, Track-by-TrackSeptember 17, 2021<September 17, 2021

“Friendship, Empathy, & Youth”: carwash’s Radiant Debut EP ‘soap water’ Captures the Wonder of Connection & Intimacy

by Mitch Mosk
Noah Kahan © Aysia Marotta
Features, Music, Reviews, Track-by-TrackSeptember 17, 2021<October 5, 2021

A Beautiful Inner Reckoning: Noah Kahan’s Stirring ‘I Was / I Am’ Plunges into the Deepest Depths of Self

by Mitch Mosk
Overcoats © Aysia Marotta
Features, Interviews, MusicSeptember 17, 2021<September 16, 2021

Not Scared Anymore: A Conversation with Overcoats

by Coco Rich
José González © Peter Toggeth / Mikel Cee Karlsson
Features, Interviews, MusicSeptember 16, 2021<September 29, 2022

Interview: José González Is Confident in Who He Is on Dynamic New Album ‘Local Valley’

by Kosiso Ugwueze
Timothy Edward Carpenter © Samuel Greenhill
Artist to Watch, Debut, Music, PremieresSeptember 16, 2021<September 16, 2021

Artist to Watch: Timothy Edward Carpenter’s Debut EP ‘the boy from ohio’ Is an Intimate & Beautifully Raw Upheaval

by Mitch Mosk
Art School Girlfriend © Jake Green
Debut, Features, Music, Reviews, Track-by-TrackSeptember 16, 2021<September 16, 2021

“Dark, Light, & Bloomy”: Art School Girlfriend’s Debut Album ‘Is It Light Where You Are’ and the Breathtaking Weight of Loss

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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