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Lucy Dacus © Ebru Yildiz
Music, ReviewsJuly 19, 2021<February 2, 2025

Review: Lucy Dacus Presents a Double Feature of Adolescence & Acceptance with ‘Home Video’

by Nasim Elyasi
Low Roar © Konrad Cwik
Columns, Music, Today's SongJuly 19, 2021<July 19, 2021

Today’s Song: Low Roar Takes on a Journey to Outer & Inner Space with “Hummingbird”

by Diego Morales
Keuning © Dana Trippe
Features, Interviews, MusicJuly 19, 2021<July 13, 2021

Interview: Dave Keuning Explains His Greatest Work, ‘A Mild Case of Everything’

by Dimitra Gurduiala
Features, Interviews, MusicJuly 16, 2021<July 16, 2021

Only Just Begun: Jeremiah Lloyd Harmon on Gorgeous New Album ‘Wake Me Up When It’s Over’

by Mariel Fechik
Atwood Magazine's Weekly Roundup | July 16, 2021
Columns, Features, Music, Weekly RoundupJuly 16, 2021<July 16, 2021

Atwood Magazine’s Weekly Roundup: July 16, 2021

by Atwood Magazine Staff
Shungudzo © Yazz Alali
Debut, Features, Interviews, MusicJuly 16, 2021<February 7, 2022

“A Portrait of a Human Experience”: Shungudzo Talks Debut Album, Activism, Motherhood, & Love

by Mitch Mosk
VEPS © Jenny F. Lunde
Debut, Features, Music, Reviews, Track-by-TrackJuly 15, 2021<July 15, 2021

“Raw, Young, & Energetic”: Oslo’s VEPS ‘Open the Door’ with Radiant Indie Rock Debut EP

by Mitch Mosk
Play​.​Make​.​Believe. - Ace Hashimoto
Debut, Features, Music, Reviews, Track-by-TrackJuly 15, 2021<July 15, 2021

“A Pharrell Homage”: Ace Hashimoto Dives into His Fresh & Fun Debut Album ‘Play.Make.Believe.’

by Mitch Mosk
Hovvdy © Pooneh Ghana
Columns, Music, Today's SongJuly 15, 2021<July 15, 2021

Today’s Song: Hovvdy Find Comfort, Catharsis, & Connection in “True Love”

by Mitch Mosk
I Think I Know - Georgia Parker
Features, Music, Reviews, Track-by-TrackJuly 14, 2021<July 16, 2021

“Sincere, Hopeful, Warm”: Georgia Parker Premieres Her Stirring, Spellbinding ‘I Think I Know’ EP

by Mitch Mosk
Favorite What If - Ashley Kutcher
Interviews, MusicJuly 14, 2021<July 14, 2021

Interview: Singer/Songwriter Ashley Kutcher Sings a Poignant Goodbye to Love in “Favorite What If”

by Mitch Mosk
Sofia Monroy © Hugo Aldén
Columns, Music, Today's SongJuly 14, 2021<July 14, 2021

Today’s Song: Sofia Monroy’s Empowering, Liberating Self-Love Anthem “Sweet Temptation”

by Mitch Mosk
Gone Gone Beyond © LP Hastings
Features, Music, Reviews, Track-by-TrackJuly 14, 2021<July 14, 2021

“Beautiful, Expansive, & Honest”: Gone Gone Beyond Radiate Existential Love on Sophomore LP ‘2030’

by Mitch Mosk
Dizzy © cowboydrugs
Features, Interviews, MusicJuly 13, 2021<July 13, 2021

Turning Songs Inside Out: A Conversation with Dizzy

by Nicole Almeida
Blonde Holly © Jacob Cummings
Debut, Music, ReviewsJuly 13, 2021<July 13, 2021

Flagstaff’s Blonde Holly Debuts with Soothing, Dreamy Single “Making Moves”

by Mitch Mosk
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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