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"Love Is..." - Saint Joshua
Columns, Music, Today's SongMay 17, 2021<May 17, 2021

Today’s Song: London’s Saint Joshua Captures the Magic of Intimacy in “Love Is…”

by Mitch Mosk
Evalyn © 2021
Interviews, MusicMay 17, 2021<May 17, 2021

Interview: Evalyn Shares How Mental Health and Mindfulness Manifest In ‘I Love You, Keep Going Pt. 1’

by Guest Writer
Krantz © 2021
Music, PremieresMay 17, 2021<May 17, 2021

Premiere: KRANTZ Takes Us to the “Beach” in Summery Single

by Mitch Mosk
Pattern Pusher © 2021
Music, PremieresMay 17, 2021<May 17, 2021

Premiere: “Come Along” with Pattern Pusher’s Funky, Feel-Good Summer Soundtrack

by Mitch Mosk
Niiice © Bethünni Schreiner
Covers, Interviews, MusicMay 14, 2021<May 14, 2021

Interview: Niiice. Have Fun & Honor The Boss with Dynamic “Born To Run” Springsteen Cover

by James Crowley
Atwood Magazine's Weekly Roundup | May 14. 2021
Columns, Features, Music, Weekly RoundupMay 14, 2021<May 14, 2021

Atwood Magazine’s Weekly Roundup: May 14, 2021

by Atwood Magazine Staff
Elephante © Alex Lopes
Music, ReviewsMay 14, 2021<May 11, 2023

Review: Swimming Upstream with Elephante’s Hypnotizing “High Water”

by Mitch Mosk
girlhouse © Alex Justice
Artist to Watch, Debut, Music, Reviews, Track-by-TrackMay 14, 2021<May 14, 2021

“Sad Ginger Music”: girlhouse Goes Track-by-Track Through Her Visceral Debut EP

by Mitch Mosk
8.3
Music, Our Take, ReviewsMay 14, 2021<May 14, 2021

Our Take: A Sonic and Personal Evolution on Current Joy’s ‘Voyager’

by Adrian Vargas
Tommy Ashby © Fraser Taylor
Music, Reviews, Track-by-TrackMay 14, 2021<May 14, 2021

“Hopeful, Atmospheric, Escapism”: Inside Tommy Ashby’s Stirring & Serene ‘Lay Low’ EP (ft. Lydia Clowes)

by Mitch Mosk
William Fitzsimmons © Erin Brown
Music, PremieresMay 14, 2021<May 14, 2021

Premiere: William Fitzsimmons Dwells in Love’s Throes on “Dancing on the Sun” off New LP ‘Ready the Astronaut”

by Mitch Mosk
Charlotte OC © Jamie Noise
Music, PremieresMay 14, 2021<May 14, 2021

Premiere: Charlotte OC Reckons with Loss in Hauntingly Beautiful Song, “Inevitable”

by Mitch Mosk
Barenaked Ladies (L-R): Kevin Hearn (keyboards), Ed Robertson (vocals/guitar), Tyler Stewart (drums), Jim Creeggan (bass) © Matt Barnes
Interviews, MusicMay 13, 2021<May 13, 2021

Interview: Barenaked Ladies Look for Common Ground in Arena-Ready Anthem “Flip”

by Mitch Mosk
TOBi © Stanislaw
Music, ReviewsMay 13, 2021<May 13, 2021

Review: TOBi & Flo Milli Heat Up in Dynamic, Impassioned “Family Matters” Reboot

by Mitch Mosk
Lycoriscoris © 2021
Interviews, MusicMay 13, 2021<May 13, 2021

Interview with Lycoriscoris: A Master EDM-Maker from Japan Delivers a Spellbinding Record with ‘Chiyu’

by Josh Weiner
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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