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Columns, Music, ReviewsSeptember 16, 2021<March 2, 2025

Album Review: Tyler, The Creator Opens Up His World & Reflects on Lost Love in ‘CALL ME IF YOU GET LOST’

by Adam Davidson
Hayden Calnin © Al Parkinson 9.4
Features, Music, Our Take, Reviews, Track-by-TrackSeptember 16, 2021<September 16, 2021

‘What It Means to Be Human’: Hayden Calnin Dives into the Beautiful Depths of His Cinematic & Stunning Third LP

by Mitch Mosk
Treefort Music Fest 2018 © Glenn Landberg
Features, Festival, Music, PreviewsSeptember 16, 2021<November 10, 2021

(Y)Our Guide to Treefort Music Fest 2021!

by Atwood Magazine Staff
Young Rising Sons © 2021
Music, Music Videos, PremieresSeptember 15, 2021<September 15, 2021

Premiere: Young Rising Sons Revel in Past Highs on Nostalgic Anthem “Good Days”

by Mitch Mosk
Haley Johnsen © 2021
Music, PremieresSeptember 15, 2021<September 15, 2021

Premiere: Haley Johnsen Returns with Intimate & Enchanting “Goner,” a Song of Loss, Longing, & Hope

by Mitch Mosk
Casey Dubie © 2021
Music, PremieresSeptember 15, 2021<September 15, 2021

Premiere: Casey Dubie’s Sweet “Limbo” Paints a World of Wonder & Suspense

by Mitch Mosk
Tertia May
Columns, Music, Today's SongSeptember 15, 2021<September 15, 2021

Today’s Song: London’s Tertia May Lights “The Fire” with Smoldering Hot & Soulful Passion

by Mitch Mosk
Naomi Kimpenu © 2021
Debut, Features, Music, Reviews, Track-by-TrackSeptember 14, 2021<April 1, 2024

“Dark, Emotive, & Timeless”: Naomi Kimpenu’s ‘Prelude’ EP Is a Striking, Stirring Entrance

by Mitch Mosk
Charlie Hickey x MUNA © Jannick Frampton
Columns, Music, Today's SongSeptember 14, 2021<September 14, 2021

Today’s Song: Charlie Hickey and MUNA Join Forces with “Seeing Things”

by Nasim Elyasi
Lilly Hiatt © Daniel Reyes
Concerts, Music, ReviewsSeptember 14, 2021<September 14, 2021

Live Review: Lilly Hiatt Reaps What She Rocks at Harvest Music Festival 2021

by Oliver Crook
Features, Interviews, MusicSeptember 14, 2021<September 14, 2021

Interview: Glassio Discusses Pensive Sound, Thoughts on Perfection, and the Talents He Respects

by Chloe Robinson
Rett Madison © 2021
Columns, Music, Today's SongSeptember 13, 2021<September 13, 2021

Today’s Song: Rett Madison’s Stunning “Emily” Is a Gut-Punch of Eruptive, Soulful Passion

by Mitch Mosk
SHAED © Jared Zagha
Debut, Interviews, MusicSeptember 13, 2021<September 13, 2021

Interview: A Conversation with SHAED, a Pop Trio Full of Capital Pride

by Josh Weiner
Geographer © Monica Reyes
Music, Music Videos, PremieresSeptember 13, 2021<November 16, 2021

Premiere: Geographer’s Exhilarating, Cinematic “Alibi” and the Wonder of Love

by Mitch Mosk
Features, Interviews, MusicSeptember 13, 2021<September 15, 2021

“The Ridiculousness of Feelings”: A Conversation with Sloppy Jane

by Nasim Elyasi
Posts pagination
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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