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Peter Stone © Lakyn Heming
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Singer/Songwriter Peter Stone Reflects on Home, Place, Loss, & Self in “Pacific”

by Mitch Mosk
Music, ReviewsMay 13, 2021<May 13, 2021

Review: Contour’s ‘Love Suite’ EP Exists in a Realm of Its Own

by Sophie Prettyman-Beauchamp
Wanderwild © Emma Rolader Martin
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Athens, GA’s Wanderwild Ignite in Dazzlingly Dynamic “Stranger”

by Mitch Mosk
Columns, Music, Today's SongMay 13, 2021<May 13, 2021

Today’s Song: Hanne Mjøen’s “Hell with You” Is a Heavenly, Synth Dreamland

by Joe Beer
Olivia O. © Avsha Weinberg
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Olivia O. Returns with New Single “All I Want,” an Achingly Vulnerable & Bittersweet Surrender

by Mitch Mosk
Roan Yellowthorn © Patrisha McLean
Breaking the Record, Interviews, Music, Premieres, ReviewsMay 13, 2021<May 13, 2021

Interview: Roan Yellowthorn Breaks the Record with Sophomore LP, ‘Another Life’

by Mitch Mosk
New Candys © Jancy Buffington
Music, ReviewsMay 12, 2021<May 12, 2021

Review: New Candys’ “Zyko” Is an Electroshock to the System

by Mitch Mosk
M.A.G.S. © 2021
Music, ReviewsMay 12, 2021<May 12, 2021

M.A.G.S. Serves Up a Fresh & Feverish Sonic Cocktail in “Choked Out”

by Mitch Mosk
Evan Greer © Kayana Szymczak
Columns, Music, Today's SongMay 12, 2021<May 12, 2021

Today’s Song: Evan Greer Issues Call to Arms on Powerful “The Tyranny of Either/Or”

by Oliver Crook
Hayden Calnin © Emma McEvoy 2021
Music, PremieresMay 12, 2021<May 12, 2021

Premiere: Hayden Calnin Rediscovers Himself in Wondrous “The Parts I Hid Away” Off New Album ‘What It Means To Be Human’

by Mitch Mosk
BSÍ © Baldur Kristjánsson
Music, PremieresMay 12, 2021<May 12, 2021

Premiere: Reykjavík’s BSÍ Soothe & Stir in New Single “TAL 11” off Debut Album ‘Sometimes Depressed​.​.​.​But Always Antifascist’

by Mitch Mosk
Nicole McKinney © Julian Darcy
Debut, Music, PremieresMay 11, 2021<May 11, 2021

Premiere: Brisbane’s Nicole McKinney Rises with Raw Indie Anthem “Stay” Off Debut EP ‘The Process’

by Mitch Mosk
Atwood Magazine Celebrates AAPI Heritage Month I
Asian American and Pacific Islander Heritage Month, Features, MusicMay 11, 2021<October 1, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. I

by Atwood Magazine Staff
Mia Joy © 2021
Debut, Features, Music, Reviews, Track-by-TrackMay 11, 2021<May 11, 2021

“Contemplative, Private, & Atmospheric”: Mia Joy Dives into Debut Album ‘Spirit Tamer’

by Mitch Mosk
Gabrielle Current © Nicole Lewis
Columns, Interviews, Music, Today's SongMay 11, 2021<May 11, 2021

Interview: Gabrielle Current Blends Beauty & Chaos in Irresistible R&B Upheaval “If I Fall” & ‘Virgo’ EP

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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