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Real Topeka People
Music, ReviewsSeptember 8, 2021<September 8, 2021

Real Topeka People’s Tender “STL” Is a Heartfelt Hometown Love Letter

by Mitch Mosk
Johnnyswim © Darren Lau
Music, ReviewsSeptember 7, 2021<September 7, 2021

Johnnyswim Will Make You Fall Back in Love with “Devastating”

by Kelly McCafferty Dorogy
Jade Bird © Colin Lane
Features, Interviews, MusicSeptember 7, 2021<September 7, 2021

Interview: Jade Bird Embraces Survival on Powerful ‘Different Kinds of Light’

by Oliver Crook
Columns, Music, Today's SongSeptember 7, 2021<September 7, 2021

Today’s Song: A Vast Beauty on Japanese Breakfast’s “Glider”

by Adrian Vargas
Columns, Music, Today's SongSeptember 6, 2021<September 6, 2021

Today’s Song: Rasmus Hagen Creates Acoustic Magic Alongside Maxine With “Learn to Love”

by Joe Beer
allie © 2021
Debut, Features, Interviews, MusicSeptember 3, 2021<September 3, 2021

Interview: allie’s Debut LP ‘Maybe Next Time’ Looks Ahead with Hope

by Lowndes Commander
Ailsa Tully © 2021
Music, Reviews, Track-by-TrackSeptember 3, 2021<September 3, 2021

“Achy, Reflection, Tension”: Inside Ailsa Tully’s Gently Kaleidoscopic ‘Holy Isle’ EP

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 3, 2021
Columns, Features, Music, Weekly RoundupSeptember 3, 2021<October 5, 2021

Atwood Magazine’s Weekly Roundup: September 3, 2021

by Atwood Magazine Staff
Kacey Musgraves © Adrienne Raquel
Columns, Music, Today's SongSeptember 3, 2021<September 3, 2021

Healing Doesn’t Happen in a Straight Line: Kacey Musgraves Navigates the Winding Roads of Healing a Broken Heart

by Emily Frances Algar
Atwood Magazine Editor's Picks 51
Columns, Editor's Picks, Features, MusicSeptember 2, 2021<October 5, 2021

Editor’s Picks 51: Little Simz, Fantastic Cat, Sister., Bleach Lab, Hannes & Billie Flynn

by Mitch Mosk
Pet Symmetry © Sam Porter
Columns, Music, Today's SongSeptember 2, 2021<September 2, 2021

Today’s Song: Pet Symmetry Get “Simply Irresponsible” on ‘Future Suits’

by James Crowley
Velvet Starlings © Megan Blanchard
Features, Interviews, MusicSeptember 2, 2021<September 8, 2021

Interview: Los Angeles’ Velvet Starlings Capture Live Music Energy on “Technicolour Shakedown”

by Chloe Robinson
Gold Star © Robert Ascroft
Features, Music, Premieres, Reviews, Track-by-TrackSeptember 1, 2021<September 1, 2021

EP Premiere: Gold Star Dives into His Dynamic, Vulnerable & Candid ‘Headlights U.S.A.’

by Mitch Mosk
Features, Interviews, MusicSeptember 1, 2021<September 1, 2021

Interview: Indigo De Souza Embraces Every Part of Herself on ‘Any Shape You Take’

by Sophie Prettyman-Beauchamp
leave a light on - Keir, Fenne Lily
Interviews, MusicSeptember 1, 2021<September 1, 2021

Interview: Keir & Fenne Lily “leave a light on” in a Song of Heartache, Longing, Love & Friendship

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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