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burr oak © Ash Dye
MusicJune 2, 2021<June 2, 2021

Premiere: Chicago’s burr oak Soars with Dramatic Fury in “FOMO”

by Mitch Mosk
Life by Misadventure - Rag'n'Bone Man
Features, Interviews, MusicJune 2, 2021<June 2, 2021

Interview: Rag’n’Bone Man on Living ‘Life by Misadventure’

by Bethan Harper
JNGL - IAMTHELIVING • Teon Gibbs
Music, Premieres, Reviews, Track-by-TrackJune 1, 2021<June 2, 2021

“Eclectic Summer Vibes”: Vancouver’s IAMTHELIVING & Teon Gibbs Come to Life in ‘JNGL’ EP

by Mitch Mosk
Drew Beskin © Kyler Vollmar
Music, PremieresJune 1, 2021<March 2, 2025

Premiere: Athens’ Drew Beskin Basks in a Rock Reverie on “Personal Shopper”

by Mitch Mosk
Bianca Rose & Jake Isaac © 2021
Columns, Music, Today's SongMay 29, 2021<January 30, 2024

Today’s Song: Bianca Rose Stands Soft and Strong with “Skin”

by Nasim Elyasi
Columns, Features, Music, Weekly RoundupMay 28, 2021<May 28, 2021

Atwood Magazine’s Weekly Roundup: May 28, 2021

by Atwood Magazine Staff
Music, Our Take, ReviewsMay 28, 2021<May 28, 2021

Review: Blood Cultures Embark on Their Most Personal Journey With ‘LUNO’

by Adrian Vargas
Tonje Thilesen
Interviews, MusicMay 28, 2021<May 30, 2021

The Healing Power of Queer Friendship: A Conversation with Bachelor

by Sophie Prettyman-Beauchamp
McKinley Dixon © David Muessig
Debut, Features, Interviews, MusicMay 28, 2021<June 4, 2021

Making a Poet Black: A Dialogue with McKinley Dixon

by Ben Niesen
Columns, Music, Today's SongMay 28, 2021<May 28, 2021

Today’s Song: If March 8th Was a Song, It’d Be Manizha’s “Russian Woman”

by Dimitra Gurduiala
Features, Interviews, MusicMay 27, 2021<May 28, 2021

Good Omen: Sarah Jarosz on Texas, Great Blue Herons, and New Album ‘Blue Heron Suite’

by Mariel Fechik
One With Shade
Interviews, MusicMay 27, 2021<January 24, 2023

Interview: One With Shade Gets Personal Talking Mental Health & Dealing with Those Difficult Emotions

by Chloe Robinson
Sharon Cho
Asian American and Pacific Islander Heritage Month, InterviewsMay 27, 2021<May 28, 2021

Interview: Duran Duran Co-Manager Sharon Cho Shares Her Story & Korean Culture for AAPI Heritage Month

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMay 27, 2021<May 27, 2021

Breaking the Record with Roan Yellowthorn, Part 61: The End is Here

by Guest Writer
Dreamer Boy © Adam Alonzo
Features, Interviews, MusicMay 27, 2021<May 27, 2021

Interview with Dreamer Boy: Loved-Up and Under the Sun

by Kelly Liu
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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