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Gone Gone Beyond © LP Hastings
Features, Music, Reviews, Track-by-TrackJuly 14, 2021<July 14, 2021

“Beautiful, Expansive, & Honest”: Gone Gone Beyond Radiate Existential Love on Sophomore LP ‘2030’

by Mitch Mosk
Dizzy © cowboydrugs
Features, Interviews, MusicJuly 13, 2021<July 13, 2021

Turning Songs Inside Out: A Conversation with Dizzy

by Nicole Almeida
Blonde Holly © Jacob Cummings
Debut, Music, ReviewsJuly 13, 2021<July 13, 2021

Flagstaff’s Blonde Holly Debuts with Soothing, Dreamy Single “Making Moves”

by Mitch Mosk
Hedda Mae © Alvin Santos
Columns, Music, Today's SongJuly 13, 2021<July 13, 2021

Today’s Song: Hedda Mae’s Irresistibly Seductive “Mr. Big Mouth” Tributes Britney & ’00s Pop

by Mitch Mosk
OKORO "Nsibidi" song picture
Debut, Features, Music, ReviewsJuly 13, 2021<July 13, 2021

“Fearless & Honest”: OKORO Radiates Passion and Purpose in ‘To Be Poetic’ EP

by Mitch Mosk
EVVAN © Chris Basford
Essays, Music, PremieresJuly 13, 2021<June 20, 2024

“Taking the Mask Off”: EVVAN Shares Essay Coming Out as Non-Binary & New Song “Falling into You”

by Guest Writer
Bilk © 2021
Columns, Music, Today's SongJuly 12, 2021<July 12, 2021

Today’s Song: Essex Pop Punks Bilk Ride High in “Bad News”

by Mitch Mosk
Soda Blonde © Ste Murray 10
Debut, Features, Interviews, MusicJuly 9, 2021<February 7, 2022

A Beautiful Catharsis: Soda Blonde Shine a Light in the Dark on Outstanding Debut ‘Small Talk’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 9, 2021
Columns, Features, Music, Weekly RoundupJuly 9, 2021<July 9, 2021

Atwood Magazine’s Weekly Roundup: July 9, 2021

by Atwood Magazine Staff
Inhaler © Dan Kenny
Features, Interviews, MusicJuly 9, 2021<August 19, 2021

Interview: Dublin Band Inhaler Speak on How, for Better or Worse, ‘It Won’t Always Be Like This’

by Lilly Eason
Love, DEAN © 2021
Debut, Music, PremieresJuly 8, 2021<July 8, 2021

Premiere: Love, DEAN’s Radiant Soul Pop Shines in Gilded Debut Single “Fool”

by Mitch Mosk
Surf Mesa © Danielle Degrasse-Alston
Features, Interviews, MusicJuly 8, 2021<July 8, 2021

Interview with Surf Mesa: Sounds for Good Feels

by Kelly Liu
Joshua Henry © Rengim Mutevellioglu
Debut, Features, Music, Reviews, Track-by-TrackJuly 8, 2021<July 8, 2021

“Fun, Authentic, & Uplifting”: Joshua Henry Flies High in Soul-Stirring Debut ‘Guarantee’ EP

by Mitch Mosk
BEL © Cooper Leith
Artist to Watch, Debut, Features, Music, Reviews, Track-by-TrackJuly 8, 2021<December 14, 2021

“Growth, Healing, & Strength”: BEL Soars High & True in Debut EP ‘Muscle Memory’

by Mitch Mosk
The Collection © Cory Wood
Columns, Music, Today's SongJuly 8, 2021<July 8, 2021

Review: Get “Loud” with The Collection’s Charged Song of Action & Protest

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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