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Julien Baker © Alysse Gafkjen
Features, Interviews, MusicJune 8, 2021<February 26, 2022

‘Little Oblivions’ & Emotional Chemistry: Julien Baker Discusses Art, Empathy, Honesty, and Self-Love

by Mitch Mosk
Rachel Sermanni © Gaelle Beri
Features, Music, Reviews, Track-by-TrackJune 8, 2021<June 8, 2021

“Glowing, Flowing, Woven”: Rachel Sermanni Dwells in an Intimate Surrender on ‘Swallow Me’ EP

by Mitch Mosk
Music, ReviewsJune 8, 2021<June 8, 2021

Review: Reigning UK Emo Champs Los Campesinos! Really Do It Again with ‘Whole Damn Body’

by Nick Matthopoulos
Flaws & Phases - Badmind
Music, ReviewsJune 8, 2021<June 8, 2021

Review: The Intimate Radiance of Badmind’s Soul-Pop Song “Flaws & Phases”

by Mitch Mosk
Columns, Music, Today's SongJune 8, 2021<January 30, 2024

Today’s Song: Bold and Bright, Lake Street Dive Kindle a Fire with “Hypotheticals”

by Nasim Elyasi
Allison Ponthier © Lissyelle Laricchia
Artist to Watch, Interviews, MusicJune 7, 2021<October 5, 2021

Interview: Singer/Songwriter Allison Ponthier Is an Intimate, Heartfelt, & Captivating Artist-to-Watch

by Mitch Mosk
Trip Carter © 2021
Music, Reviews, Track-by-TrackJune 7, 2021<June 7, 2021

“West Coast Summer”: Trip Carter Dives into His Sun-Soaked ‘Slim Tripper’ EP

by Mitch Mosk
Mia Pixley © David Pettijohn
Music, PremieresJune 7, 2021<June 7, 2021

Premiere: The Sun Shines Through Mia Pixley’s Radiant “In the Daylight”

by Mitch Mosk
Columns, Music, Today's SongJune 7, 2021<June 7, 2021

Today’s Song: Punk Meets Spirituality in Willow’s “Transparent Soul”

by Kelly Liu
Yoke Lore © Emma Mead
Features, Interviews, MusicJune 7, 2021<August 5, 2021

Letting Other People Do the Talking: A Conversation with Yoke Lore

by Nicole Almeida
Superbloom © Maya Lee 10
Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<October 1, 2021

“Hypnotic, Exhaustive, Bliss”: Brooklyn Grunge Band Superbloom Ignite on Stunning Debut ‘Pollen’

by Mitch Mosk
Love Truls © Linus Bertholdsson
Columns, Music, Today's SongJune 4, 2021<June 4, 2021

Today’s Song: Sweden’s Love Truls Displays Tender Feelings of Affection on “Tell Her”

by Josh Weiner
Wyldest © 2021
Features, Music, Reviews, Track-by-TrackJune 4, 2021<January 27, 2023

Feature: Wyldest’s Empowering ‘Monthly Friend’ Embraces & Explores the Depths of Womanhood

by Mitch Mosk
Lucy Francesca Dron © Finn Mullen
Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<June 4, 2021

“Emotional, Eclectic, & Honest”: Lucy Francesca Dron’s Dynamic Coming-of-Age EP ‘Leftovers’

by Mitch Mosk
BETWEEN FRIENDS © Elizabeth Miranda
Features, Interviews, MusicJune 4, 2021<June 4, 2021

BETWEEN FRIENDS Prioritize Thinking Less & Enjoying More, Generating Their Most Authentic Music to Date

by Kelsey Fitzgerald
Posts pagination
1 … 309 310 311 312 313 … 727

Brand New

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’

:: discover something new ::

Recent Posts

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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