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Matilda Mann © Nicole Ngaise
Columns, Music, Today's SongJuly 30, 2021<July 30, 2021

Today’s Song: West London’s Matilda Mann Comes to Life in Intimate & Wondrous “Bloom”

by Mitch Mosk
Joe Bourdet © Sara Ross Samko
Debut, Features, Music, Reviews, Track-by-TrackJuly 30, 2021<July 30, 2021

“Wooden, Airy, & Laid-Back”: Joe Bourdet’s Debut LP ‘Meadow Rock’ Channels the Radiant, Warm California Sun

by Mitch Mosk
Features, Interviews, MusicJuly 30, 2021<July 30, 2021

Animus & Anima: LUMP (Laura Marling & Mike Lindsay) on New Record ‘Animal’

by Mariel Fechik
Lauran Hibberd © Rebecca Need-Menear
Features, Interviews, MusicJuly 30, 2021<August 7, 2021

“Sweaty Pandemic Rock”: Lauran Hibberd Sings, Stings, & Soars in Thrilling ‘Goober’ EP

by Mitch Mosk
The Lathums © Sam Crowston
Interviews, MusicJuly 30, 2021<July 30, 2021

Interview: Wigan’s The Lathums Learn Just ‘How Beautiful Life Can Be’ with Upcoming Debut LP

by Bethan Harper
wojtek the bear © Kris Boyle
Features, Interviews, MusicJuly 29, 2021<July 29, 2021

Interview: Universality and Authenticity on wojtek the bear’s ‘Heaven By The Back Door’

by Dimitra Gurduiala
CLAVVS © Lissyelle Laricchia
Features, Interviews, Music, Reviews, Track-by-TrackJuly 29, 2021<July 29, 2021

“Dance Your Feelings!”: CLAVVS Embrace Life, Joy, Love, & the Self in Wondrous Album ‘O’

by Mitch Mosk
The Greeting Committee © Elizabeth Miranda
Interviews, MusicJuly 29, 2021<July 29, 2021

Interview with The Greeting Committee: From ‘All the Boys I’ve Loved Before’ to “Can I Leave Me Too?”

by Nina Schaarschmidt
CARR © CJ Harvey
Artist to Watch, Columns, Music, Today's SongJuly 28, 2021<July 28, 2021

Artist to Watch: CARR’s Irresistible “Loser” Is an Unapologetic F-You to Fuckboys Everywhere

by Mitch Mosk
B-ahwe © Milly Hewitt
Music, PremieresJuly 28, 2021<July 28, 2021

Premiere: B-ahwe’s “Circles” Sends Us Drifting in the Whirlpool of Life

by Frankie Rose
Looking for Love (In A Major) - Lisa Crawley
Features, Music, Reviews, Track-by-TrackJuly 28, 2021<July 28, 2021

“Honest, Humorous, Reflective”: Lisa Crawley Shines Bright on ‘Looking for Love (In “A Major”)’ EP

by Mitch Mosk
NOGA © Sarah Fosco
Music, PremieresJuly 28, 2021<July 28, 2021

EP Premiere: ‘The Alchemist’ Charts NOGA’s Inner Reckoning, Passion, & Resolve

by Mitch Mosk
Hank May © 2021
Interviews, MusicJuly 27, 2021<August 19, 2021

Interview: Hank May’s First Sip, His Premier LP, ‘One More Taste of the Good Stuff’

by Lilly Eason
Pink Noise - Laura Mvula
Features, Interviews, MusicJuly 22, 2021<July 28, 2021

Interview: Laura Mvula Presents an Everlasting Bliss in Her Iconic New Album, ‘Pink Noise’

by Dimitra Gurduiala
Ali Coyle © Sarah Vargas
Debut, Features, Interviews, MusicJuly 21, 2021<July 22, 2021

Interview: Irish American Singer/Songwriter Ali Coyle Discusses Introspective Debut EP ‘Songs for My Therapist’

by Chloe Robinson
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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