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The Dirty Nil © Sam Tomlinson
Music, Reviews, Today's SongApril 10, 2021<April 9, 2021

Today’s Song: The Dirty Nil End the Night with “One More and the Bill”

by James Crowley
NYIKO © Niles Gregory 8
Debut, Music, Our Take, ReviewsApril 9, 2021<April 9, 2021

Our Take: Love Is Creation on NYIKO’s Debut Album ‘Honesty’

by Anthony Kozlowski
Sociopath - Olivia O'Brien
Interviews, MusicApril 9, 2021<May 7, 2021

“Sociopath”: Olivia O’Brien Goes Behind the Scenes of Her Thrilling New Song & Horror Film

by Mitch Mosk
Atwood Magazine's Weekly Roundup April 9, 2021
Features, Music, Weekly RoundupApril 9, 2021<April 9, 2021

Atwood Magazine’s Weekly Roundup: April 9, 2021

by Atwood Magazine Staff
Interviews, Music, ReviewsApril 9, 2021<April 9, 2021

The Power of Vulnerability: A Conversation With Marie Naffah

by Adrian Vargas
Music, ReviewsApril 9, 2021<April 9, 2021

Review: Spirit of the Beehive Become One with the Ether on ‘ENTERTAINMENT, DEATH’

by Sophie Prettyman-Beauchamp
Cujo Moon © Rae Mercedes
Music, Reviews, Track-by-TrackApril 9, 2021<April 9, 2021

“Reflecting. Accepting. Healing.”: Cujo Moon Weaves Worlds of Wonder in ‘Bridges II’ EP

by Mitch Mosk
Stealth
Debut, Music, Reviews, Track-by-TrackApril 9, 2021<April 9, 2021

“Soul Blues Goodness”: Stealth Soars in His Smoldering Debut Album ‘Bury Me’

by Mitch Mosk
Columns, Music, Today's SongApril 9, 2021<April 9, 2021

Today’s Song: A Contrast of Cheer & Ignorance on Blood Cultures’ “Set It On Fire”

by Adrian Vargas
The Fratellis © 2021
Features, Interviews, MusicApril 9, 2021<April 8, 2021

In His Own Sweet Time: An Interview with The Fratellis’ Jon Fratelli

by Kelly Liu
Sarah Cicero
Debut, Music, Premieres, Track-by-TrackApril 8, 2021<April 8, 2021

“Raw, Emotive Yearning”: Sarah Cicero Spills Her Soul in Debut EP ‘Cold Immaculate Opposite’

by Mitch Mosk
Chemtrails over the Country Club - Lana Del Rey
Features, Music, Reviews, RoundtableApril 8, 2021<June 29, 2024

Roundtable Discussion: A Review of Lana Del Rey’s ‘Chemtrails over the Country Club’

by Atwood Magazine Staff
Billie Essco © 2021
Features, Interviews, MusicApril 8, 2021<April 8, 2021

Interview: Buffalo Rapper Billie Essco Is in a League of His Own

by Mitch Mosk
Jenny Owen Youngs © Tucker Leary
Features, Interviews, MusicApril 8, 2021<April 8, 2021

Interview: Jenny Owen Youngs Presents Her Touching EP, ‘Echo Mountain’

by Dimitra Gurduiala
Yungchen Lhamo © Ernie Paniccioli
Features, Interviews, MusicApril 8, 2021<April 27, 2021

Interview: Tibetan Artist Yungchen Lhamo Sings for a Better World

by Guest Writer
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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