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Wild Pink © Mitchell Wojcik
Features, Interviews, MusicFebruary 19, 2021<February 19, 2021

Interview: Wild Pink’s ‘A Billion Little Lights’ Is a Richly Poetic Triumph

by Lowndes Commander
Mobley © Andrew Bennett
Columns, Music, Today's SongFebruary 19, 2021<February 19, 2021

Today’s Song: Mobley Celebrates His “Mate” with Captivating Song & Visual Off New EP ‘Young & Dying in the Occident Supreme’

by Kelsey Fitzgerald
The Hold Steady © Adam Parshall
Features, Interviews, MusicFebruary 19, 2021<February 19, 2021

Interview: The Hold Steady Return to Their Swaggering Best on ‘Open Door Policy’

by Oliver Crook
Tim Hart © Jon Hart
Features, Music, Premieres, Track-by-TrackFebruary 18, 2021<February 18, 2021

“Alive, Raw, Journey”: Boy & Bear’s Tim Hart Dives into His Invigorating Third Solo Album ‘Winning Hand’

by Mitch Mosk
KENI © Aerin Moreno
Artist to Watch, Columns, Music, Today's SongFebruary 18, 2021<February 18, 2021

Artist to Watch: Keni’s Dazzling “Sid and Nancy” Taps into Passion’s Raw Allure

by Mitch Mosk
Indigo Sparke © Adrianne Lenker
Debut, Features, Interviews, MusicFebruary 18, 2021<February 18, 2021

Dancing Over Bones: Singer/Songwriter Indigo Sparke Radiates with Ethereal Folk Album ‘echo’

by Coco Rich
TheHxliday © Travis Shinn
Black History Month, Music, Track-by-TrackFebruary 18, 2021<February 18, 2021

Track-by-Track: TheHxliday Dives into his Visceral & Achingly Raw EP ‘BatBxy’

by Mitch Mosk
Edwin Arzu © Niion & Nitz (NixNi)
Black History MonthFebruary 18, 2021<February 18, 2021

Edwin’s Brain While Looking At a Sunset: A Poem by Edwin Arzu

by Guest Writer
The Black Expression by PRICIE
Art, Black History MonthFebruary 18, 2021<January 10, 2023

“The Black Expression”: A Painting by PRICIE

by Guest Writer
MF DOOM
Essays, MusicFebruary 18, 2021<February 18, 2021

In Memoriam: MF DOOM, The Closest Companion I Never Met

by Adam Davidson
Black Women in Music: 2021 Playlist
Music, PlaylistsFebruary 17, 2021<March 23, 2022

Playlist: Black Women in Music You Won’t Want to Miss

by Sophie Prettyman-Beauchamp
Hayden Everett © Michael Flugstad
Music, ReviewsFebruary 17, 2021<February 17, 2021

Review: Hayden Everett’s Stirring “Kennecott” Is a Kiss of Glacial Indie Folk Wonder

by Mitch Mosk
Tiana Major9 © Ira Chernova
Black History Month, Music, Track-by-TrackFebruary 17, 2021<February 17, 2021

“Fun, Tearjerker, Vulnerable”: Tiana Major9 Dives into Her Jazzy & Soulful ‘At Sixes and Sevens’ EP

by Guest Writer
Pray for Your Son - Jeverson
Black History Month, Interviews, MusicFebruary 17, 2021<February 18, 2021

Interview: Grenada’s Jeverson on His Anthemic Debut “Pray for Your Son,” a Song of Protest, Pain & Healing

by Mitch Mosk
Dayon Greene © Shaughn Cooper
Black History Month, MusicFebruary 17, 2021<February 17, 2021

“Free”: Dayon Greene Dives into His Triumphant Song of Hope & Freedom

by Guest Writer
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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